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Before and After Ghostcatching

Animation, Primitivism, and the Choreography of Vitality

Heather Warren-Crow

Catching Ghosts Bill T. Jones, writes digital artist Paul Kaiser (2003) , “danced like a man possessed—possessed in turn by eight or nine distinct selves.” Improvising on the unforgiving concrete floor of a motion-capture studio, Jones

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Editorial

Screening Vulnerability

Brian Bergen-Aurand

on transformation and women beauty vloggers’ self-representations under the rubric of #thepowerofmakeup; Heather Warren-Crow’s study of primitivism, vitality, and visual art in relation to the motion-capture video Ghostcatching (1999); Andrew Webber

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Synthetic Beings and Synthespian Ethics

Embodiment Technologies in Science/Fiction

Jane Stadler

; Humanization of the Digital Film scholar Lisa Purse discusses the “digitization of the human” with reference to Scott Balcerzak's work on performance capture, in contrast to making motion-capture digital effects appear more realistic by “humanizing the