. Prentice Baptiste and Mira Lanier Baptiste, ‘Competencies Towards Multiculturalism’, in Multicultural Teacher Education: Preparing Teacher Educators to Provide Educational Equity , ed. H. Prentice Baptiste, Mira Lanier Baptiste and Donna M. Gollnick
Teaching Shakespeare Performance to Israeli Medical Students
Alexandre Coello de la Rosa
Randi Gressgård, Multicultural Dialogue: Dilemmas, Paradoxes, Conflicts (New York: Berghahn Books, 2010), 190 pp. ISBN 9781845456665.
John L. and Jean Comaroff, Ethnicity, Inc. (Chicago: University of Chicago Press, 2009), 236 pp. ISBN 9781869141783.
Athar Haj Yahya
The term ‘multiculturalism’ first appeared in the 1960s and 1970s, mainly in countries such as Canada and Australia, reflecting their response to a reality of ethnic pluralism that included communities resistant to assimilation by the majority
Zeynep Kılıç and Jennifer Petzen
This article invites scholars of race and migration to look at the visual arts more closely within the framework of comparative race theory. We argue that within a neoliberal multicultural context, the marketing of art relies on the commodification and circulation of racial categories, which are reproduced and distributed as globalized racial knowledge. This knowledge is mediated by the racial logic of neoliberal multiculturalism. Specifically, we look at the ways in which the global art market functions as a set of racialized and commodified power relations confronting the “migrant“ artist within an orientalizing curatorial framework.
Christopher Hill, Sara Silvestri, and Elif Cetin
The migration crisis is analyzed here in the context of the challenges that Italy faces as a country of immigration during a period of recession. It is argued that there has been no serious debate in Italy on multiculturalism or on religious freedom, despite the growing sociocultural and religious diversity arising from population movements and international conflict. The analysis begins with the Italian government’s attempts in 2015 to deal with migration and diversity and the associated domestic conflicts at the levels of both party politics and civil society. The external dimension of Italian politics is examined in terms of Rome’s impatient calls for EU help and the weak political position of Italy in relation to the root causes of migration. After discussing the meaning of the Christian/Catholic identity of the country in its present state, the chapter concludes that Rome has little choice but to develop a more long-term view with regard to diversity and integration.
Contrary to what people tend to think and the way current diplomacy still defines the situation, I argue that Taiwan may very well be the first “transnational nation.” Few recognized its international presence, until it became a major exporter to the world economy, a change of status and policy that was really the consequence of its expulsion from the United Nations (following diplomatic recognition of the PRC). Its subsequent attempts to jockey for admission into the United Nations can largely be seen as a strategy to build upon its newly established role as a world economic player. One significant feature of transnational capitalism is reflected in Taiwan’s success, which demonstrates that the official status of nation was not important or relevant to its development in economic and other terms. Thus, in this era of transnational flows, one might say, national identity, cultural consciousness, and territorial boundedness are clearly secondary. In some senses, this seems to be true, but this is overly simplistic. The end of organized capitalism, as advocated by Lash and Urry (1987), has led many to believe that the free flow of transnational capital has broken down national barriers in respect to all other kinds of flows, but in fact, transnational flows of people have been regulated by and subject to other kinds of forces, political as well as cultural in nature, that have disrupted emerging forms of cosmopolitanism and even threaten to expose deeper conservative if not reactionary biases in the constitution of traditional society. 1 In Taiwan, the growing emergence of transnational cosmopolitanism, runs parallel with the increasing rhetorical importance of multiculturalism. However, the latter is the product more precisely of a wave of cultural ‘indigenization.’ At a deeper level, both (cosmopolitan) ‘transnationalism’ and (indigenous) ‘multiculturalism’ are, in my opinion, largely incompatible and mask an imminent future crisis.
Girls Negotiating Gender through Popular Music
This article is based on ethnographic fieldwork done with a group of 14 to 16 year-old girls in a medium sized Swedish town. The study aimed to investigate the relationship between everyday music use and gender, ethnicity and sexuality. The question posed here is: "What negotiations take place when the girls discuss their favorite music and artists?" Research in response to this question shows that the identity work of negotiating how to be a teenage girl often relates to popular culture. The sample focuses on girls from Swedish, Bosnian, Turkish and Syrian backgrounds. In this article I report on the local ideas about gender and ethnicity claimed by the girls to influence their discussion of music, dress and behavior, as well as the desires that I argue structure such discussion. This research supports contemporary findings that mainstream popular music has cultural and social significance in young girls' lives.
This article examines multiculturalism and gender equality in the light of ethnicity, gender, and agency so as to illustrate how gender equality is used as a marker of Finnishness in various youth work contexts. The data presented consists of interviews with youth workers (n=42) and ethnographic fieldwork carried out from 2003 to 2005. The results illustrate that questions related to multiculturalism have enhanced the visibility of gender equality in youth work. The identification of gender-based inequality is connected, in particular, to girls from migrant backgrounds whose education and well-being are of social concern. Youth work itself is often seen as gender-neutral and equality-based. However, this illusion of gender equality reflects more the ideals of equality which are not being concretized in the practices of youth work. Equality in this context is defined as a purely quantitative concept: the solution to any possible inequalities is, therefore, that everyone should be treated in the same way.
Containment and Excess in Snatch
Snatch (Guy Ritchie, 2000) is a comic-book gangster film that can be seen to represent the backlash against perceived notions of political correctness in what is effectively a public-schoolboy fantasy of working-class life in East London. However, the film also delineates the limits of this backlash in its depiction of minorities as either contained or excess. This is highlighted through the comic-book genre itself as well as the characterization. Thus, this article explores the tension between the genre, representation and Jewish identity.
Chaim I. Waxman
This article examines the unique character of conversion to Judaism in general and in Israel in particular. It is an act enmeshed with the very definition of Judaism and has implications for the future of Israel as a Jewish state as well as for Israel-Diaspora relations. The role of the Israeli government in conversion, from the very outset of the establishment of the State of Israel, is delineated and its history as a religio-political issue analyzed. Finally, the article discusses alternative approaches for dealing with what some perceive as a very serious Israeli religio-political issue.