Search Results

You are looking at 1 - 10 of 14 items for :

  • "narrative texts" x
  • All content x
Clear All
Restricted access

Ned Lazarus

Sami Adwan and Dan Bar-On, eds., Learning the Other’s Historical Narrative: Israelis and Palestinians, Parts One and Two (Beit Jalla: Peace Research Institute in the Middle East, 2003, 2006).

Robert I. Rotberg, ed., Israeli and Palestinian Narratives of Conflict: History’s Double Helix (Bloomington: Indiana University Press, 2006).

Paul Scham, Walid Salem, and Benjamin Pogrund, eds., Shared Histories: A Palestinian-Israeli Dialogue (Walnut Creek, CA: Left Coast Press, 2005).

Restricted access

Erika Golz

Genre differentiation is possible by external factors (function, communicative situation) and internal factors (grammar, theme). As the external factors for all 18 texts of the corpus are the same, the article relies on internal factors. The cohesive means of genre identification in this corpus are recurrence, time structure, connectivity, grounding, and lexis. The peculiarity of Koriak genre differentiation consists in a preponderance of narrative structures, which are characterized by a sequential time line with passages in scenic present tense and structures of a theme with a following exemplification.

Restricted access

Majed Aladylah

narrative discourse has destabilised and defamiliarised the fictional genre both formally and in terms of content. Moreover, understanding of the narrative text must look beyond the aesthetic parameters of a text and inhere political, social, psychological

Restricted access

A Vision of the Viewer

Situating Narration in the Fiction Film in the Context of Theories of Narrative Comprehension

Joseph P. Magliano and James A. Clinton

fabula , in which the former pertains to explicit content in a narrative (text, images, etc.) and the latter pertains to the representation of how events unfold in the story world. As such, the fabula is more than the syuzhet and contains knowledge

Restricted access

Seeing Yourself in the Past

The Role of Situational (Dis)continuity and Conceptual Metaphor in the Understanding of Complex Cases of Character Perception

Maarten Coëgnarts, Miklós Kiss, Peter Kravanja, and Steven Willemsen

. The usefulness of this model has been predominantly tested with respect to narrative texts. More recently, however, the EI model has been successfully extended into the non-textual domain of film understanding as well ( Cutting and Iricinschi 2015

Restricted access

The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

way to account for these sequences in terms of their narrative function would be to turn to Gerard Genette’s taxonomy of tense in literature. Broadly, tense refers to the temporal relationships (or “temporal distortions”) between the narrative text

Restricted access

Flemish Comics versus Communist Atheism

Renaat Demoen’s Au pays de la grande angoisse (1950–1951)

Philippe Delisle

ingenuity and courage to get across a sealed border, patrolled by guards who have no hesitation in firing without warning. 50 We have noted above that the prison camps are depicted in some detail. The story ends with a narrative text that emphasises that in

Restricted access

Eva Insulander, Fredrik Lindstrand, and Staffan Selander

the images than in the verbal text. The few times that photos of authentic objects or maps are introduced, their function is to imply scientific knowledge. Congruence between verbal text and image is also created via connections between the narrative

Restricted access

David Bordwell

narrative text comprehension . Psychological Review, 101 , 371 – 95 . Hochberg , Julian , and Virginia Brooks . 1996 . “ Movies in the Mind’s Eye .” Pp. 376 – 395 in In the Mind’s Eye: Julian Hochberg on the Perception of Pictures, Films, and the

Restricted access

Šahrzâd and Šahrbâz

A Story Illustrated in Signs

Elham Etemadi

: through the open part, we can tell the scene is happening during the day. But the narrative text emphasizes a different time (see Figure 11 for the Persian calligraphed text): ‘When the morning came, the king sat on the throne and tended to the state