The narratives about a nation's past taught in history education are a major focus of international research. 1 In many countries, textbooks are by far the most accessible sources of historical information for both pupils and teachers. The texts
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Marc Kropman, Carla van Boxtel, and Jannet van Drie
Sanne van der Hout and Martin Drenthen
of different narrative structures, metaphors, and images. With these narrative self-presentations, they seek to express in what ways the new approach to technology can be distinguished from the old, as well as to legitimize their research activities
Subtracting the Narrative
Trade, Collecting, and Forgetting in the Kongo Coast Friction Zone during the Late Nineteenth Century
Zachary Kingdon
Museums can be theorized as sites of forgetting. Furthermore, British traders who collected carved tusks made by Kongo-speaking peoples of the Central African coast in the nineteenth century appear to have had no interest in accounting for the complex narrative scenes that embellished these works. Recent scholarship advocates applying an “archaeological sensibility” (Harrison 2013) that conceptualizes museum collections as “assemblages” in order to reveal new knowledge about collections. This article employs a version of this approach by applying an ichnography, or “science of traces” (Byrne 2013), to the visual narratives carved on tusks in the World Museum Liverpool collection and to the textual narratives of British traders’ from the period, to reveal discrepant and elided themes in these sources. The insights generated by probing the significance of these narrative disjunctions helps provide a “thicker” understanding of the dynamic, cosmopolitan “zone” of cross-cultural interaction from which the tusks were acquired.
The Three Burials of Aslak Hætta and Mons Somby
Repatriation Narratives and Ritual Performances
Stein R. Mathisen
Introduction: History, Ethnic Conflicts, the Dead, and Their Remains The historical backdrop for the events, narratives, and ritual ceremonies discussed in this article is the Kautokeino rebellion of 1852, leading to the death sentence and
Quantities Over Qualities
Metric and Narrative Identities in Dataveillant Art Practice
Amy Christmas
narrative production, perhaps what Rosen and Santesso have in mind when they call attention to the link between the field of literature and the abstract models of personhood they see as portrayed and supported there. As surveillance increases in its
Narratives of Socioecological Transition
The Case of the Transition Network in Portugal
Vera Ferreira and António Carvalho
This article analyzes narratives and characteristics of socioecological transitions, drawing on research conducted with members of the Transition Network (TN) in Portugal. The TN was founded in Totnes, United Kingdom, in 2005, by Rob Hopkins, a
Narratives of Development
An Anthropological Investigation into Narratives as a Source of Enquiry in Development Planning
Taapsi Ramchandani
’s success story so far. My findings would inform project plans going forward. I chose to include local narratives in my final report in order to present a holistic picture of how people understood economic development, to whom or to what they attributed the
From Jewish Sentiments to Rational Exhortations
Battle Missives in the Israel Defense Forces
Netta Galnoor
of the state—understood the notion of the ultimate sacrifice. The article asks, what are the dominant narratives used to justify risking life in war by Israeli military commanders between 1948 and 2014? Did these narratives change over time, and, if
Narratives of Ambivalence
The Ethics of Vulnerability and Agency in Research with Girls in the Sex Trade
Alexandra Ricard-Guay and Myriam Denov
. While it is important to acknowledge the abuses committed against minors in the sex trade, this one-dimensional narrative may come into opposition with how the girls themselves perceive their experiences, and may actually hinder an understanding of the
Carte blanche to Travel Narrative
Philippe Vasset's Un livre blanc
Sara Bédard-Goulet
alienation to language. Representations of space are equally marked by power relations and contribute to the production of space, as it is the case with cartography ( Farinelli 2012 ). The input of maps in travel narratives thus bears consequences, as they