This article analyses attitudes of the art public related to subjects of the 2011 art exhibition 'Beirut', shown at the Kunsthalle Wien in Vienna. Some Lebanese artworks, especially those of the (pre-)war generation, were oriented towards utopias of their time and socio-political criticism, and still today revolve around the topoi of human rights. Socio-cultural milieux and institutions seem habited by adherents with congruent values. Art, science and education are thus particularly disputed fields since their common creative quests produce knowledge and, depending on the theme, ideology. We contextualise these topics and highlight a few empirically corroborated explanatory models developed by anthropology in order to elucidate the complex interplay between the individual and society. We appeal to those in academia, education and critical art to play a role in the debate on essential humanistic and ethical principles.
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Anthropological Reflections on Lebanese Art
How Empathy, the Human Rights Topos and Ideological Attitudes Interact with Aesthetic Perceptions
Gerald A. P.-Fromm and Bariaa Mourad
The Gods of the Hunt
Stereotypes, Risk and National Identity in a Spanish Enclave in North Africa
Brian Campbell
était un petit navire: The Refugee Crisis, Neo-orientalism, and the Production of Radical Alterity ’, Journal of Modern Greek Studies 9 : 1 – 14 . Klein , O. , A. Jacobs , S. Gemoets , L. Licata and S. Lambert ( 2003 ), ‘ Hidden
“Stop it, f*ggot!”
Producing East European Geosexual Backwardness in the Drop-In Centre for Male Sex Workers in Berlin
Victor Trofimov
of sexuality in the neo-Orientalism ( Renkin 2016 ) that has been largely focused on public, media and scientific discourses as well as practices and policies of the state, NGOs and organised political movements. By analysing the everyday social