Ordinary women are among the least known subjects of Ottoman Turkish historiography. One of the most important reasons for this lack of information is that the Turkish archives are not organized in such a way that researchers can easily access documents on ordinary women. However, the difficulty in finding women’s voices in historical documents is only one part of the problem. Whereas conventional Ottoman-Turkish historiography prioritizes the acts of those holding power, most Turkish feminist historiography focuses on the organized activities of elite and middle-class women rather than ordinary women due to various paradigmatic and methodological restrictions. This article explains these limitations and proposes less conventional methods for conducting research on ordinary Ottoman women, who were important actors on the home front during World War I. It discusses theoretical approaches, methodology, and alternative sources that can be used to conduct research on women in the Turkish archives. It also presents some examples of ordinary Ottoman women’s voices and everyday struggles against the violence they suffered during World War I, using new, alternative sources like women’s petitions and telegrams to the state bureaucracy as well as folk songs.
Elif Mahir Metinsoy
the Courtly and the Popular in The Merry Wives of Windsor
This paper explores the controversy as to whether The Merry Wives of Windsor is a celebration of royal and aristocratic power and of an imagined national community, or a suburban comedy whose viewpoint is that of the contemporary English middle-class. Drawing on recent work on female authority in household and community, it is suggested that Shakespeare's Windsor is not only discontinuous with the culture of nobility, but is presented as a parallel world or alternative universe where things are done quite differently. The play thus engages in a critique of the aristocratic values embodied in the Order of the Garter, and offers an alternative source of power in the domestic lives of ordinary women.
Barbara Klich-Kluczewska, Gabriela Dudeková, Philip Mann, Kristen Ghodsee, Susan Zimmermann, Barbara Alpern Engel, Rhonda Semple, Amelia Licheva, Christian Promitzer and Oksana Kis
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