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Sartre’s Literary Phenomenology

Andrew Inkpin

that philosophy requires, or is at least complemented by, literature be understood? This article shows how these questions can be answered by seeing the early Sartre as practising a specific form of phenomenology – literary phenomenology – in which

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Jazz Improvisation and Creolizing Phenomenology

Craig Matarrese

engage their sonic situation, and the way they can hear descriptions from others, will give some sense to what Sidney Bechet meant in saying that “music gives you its own understanding of itself.” 2 Creolizing Phenomenology First, I would like to

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Guest Editor's Introduction

Phenomenology Encounters Cognitivism

Robert Sinnerbrink

aesthetic and contextual features of complex cinematic works. In what follows, I outline the shared theoretical problématique defining the encounter between phenomenology and cognitivism, and argue for a more pluralistic and synthetic approach to film

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Anticipation and Episodic Time

Cheryl Mattingly

have learnt a great deal about waiting – including waiting for death – from my interlocutors. And yet as I (re)turned to the topic of future time, I found myself challenged. Did I have anything more to say? I had already drawn upon the phenomenology of

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A Phenomenological Study of Arranged Friendships between Young Boys and Men

Man Interest and Masculine Embodiment

Kathrine Vitus and Nathalie Perregaard

observation, only a few studies have addressed masculine embodiment from a phenomenological perspective (e.g., Berggren 2014 ). For instance, in Gough (2018) , we found the term “phenomenology” zero times and “phenomenological” twice. The predominant

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A Generative Theory of Anticipation

Mood, Intuition and Imagination in Architectural Practice

Christopher Stephan

Cultures . New York : Basic Books . Heidegger , M. 2010 . Being and Time , trans. J. Stambaugh . Albany, NY : SUNY Press . Husserl , E. 1983 . Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy , trans. F

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Phenomenology Goes to the Movies

Jane Stadler

Malin Wahlberg, Documentary Time: Film and Phenomenology; Jennifer Barker, The Tactile Eye: Touch and the Cinematic Experience; Julian Hanich, Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear

Malin Wahlberg, Documentary Time: Film and Phenomenology (Minneapolis and London: University of Minnesota Press, 2008), xvii + 170 pp., $22.50 (paperback).

Jennifer Barker, The Tactile Eye: Touch and the Cinematic Experience (Berkeley: University of California Press, 2009), xii + 196 pp., $24.95 (paperback).

Julian Hanich, Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (New York and London: Routledge, 2010), xi + 301 pp., $118 (cloth).

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De Beauvoir, Existentialism and Marx

A Dialectic on Freedom

Angela Shepherd

Sex she has productively woven together Marxism, phenomenology and existentialism. De Beauvoir identifies herself as an existentialist and shares the insistence on humans as for-themselves defined in terms of ontological freedom: ‘Every subject posits

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From Perception to Action

Sartre's Practical Phenomenology

Blake D. Scott

Although this influence is well known, the details of Sartre's appropriation of Husserl's phenomenology are not always easy to spell out and often involve a good deal of reconstruction. Adding to this interpretive difficulty is the fact that Husserl

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Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton

Brakhage: ‘Death is a Meaningless Word’ Part 1 .” Offscreen 7 ( 2 ). . Walton , Saige . 2016 . Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement . Amsterdam : Amsterdam University