Blackgirls have a long subaltern legacy of being geographers. We have complicated the settler-colonial project of cartography uniquely through our radical placemaking efforts towards achieving safety, inclusion, and liberation. In this autoethnographic article, I trace my own socio-spatial-sensory reflections that I experienced during my visit to Harriet Tubman’s Homeplace, Senior Home, and Grave Site in Auburn, New York. I attempt to unsettle the undertheorized renderings of Tubman by interrogating her personal freedom dreams, liberation geography, and womanist cartography. I then map the intergenerational solidarity that Blackgirls have forged with Tubman more contemporarily through their own space making. I conclude by unpacking what ontological lessons both knowledge producers and organizers can glean from Tubman’s geographic sacredness and savvy.
A (Re)Mapping Guide towards Harriet Tubman and Beyond
Loren S. Cahill
Place Appreciation and Purposeful Relocation in Later Life
place-making, a basic requirement is to remember that we are not plants. In many languages, we use plant metaphors to refer to our place attachment – ‘roots’ for local bonds, ‘uprooting’ for displacement. But since we’re not plants, our physical and
History as a Resource in Postmodern Societies
Máiréad Nic Craith and Michaela Fenske
How do people use history to shape their lives, places and ‘worlds’? Which kind of history do they use, and in what ways? What are the functions of history in this context? How do people interact with places and spaces by constructing history, and what are the implications of these constructions for a sense of place? These are some of the questions explored in this special issue of the Anthropological Journal of European Cultures on history and place-making.
Tower block failure discourse and economies of risk management in London's Olympic Park
A powerful dystopian imaginary dominates political and cultural representations of Britain’s postwar tower blocks, which continue to be linked to social dysfunction and alienation despite extensive empirical research that challenges such claims. Th is article asks what contested declarations of failure “do” by examining how “tower block failure” is discursively deployed by placemaking professionals—planners, architects, housing managers, regeneration practitioners—engaged in the construction of a “model” mixed-tenure neighborhood in London’s Olympic Park. Examining how the aesthetic figure of the “failed” high-rise housing estate is configured in relation to the normative models of citizenship and community that infuse social and spatial policy, I argue “failure” is entangled with a speculative, future-oriented economy of risk management, which refracts wider questions about the nonobvious forms that power takes in the neoliberal city.
The Mobile Itineraries of Knowledge-scapes
This special section elucidates intersections between the historiography of mobilities and the interdisciplinary field of mobilities research. The articles highlight relationships between mobilities and stabilization, circulation and place-making, deterritorialization and reterritorialization. This response essay seeks to dispel three myths about mobility studies: (1) that it is purely about the contemporary world, rather than the historical dimensions of mobile processes; (2) that it focuses solely on material phenomenon of physical transport (i.e., of things and people) and ignores the movement of ideas, knowledge, and culture; and (3) that it is purely about “flows” and “circulation” and has little to teach us about friction, resistances, blockages, or uneven power relations. The most important intersections of the histories of mobilities and the field of mobility studies can be found in the ways in which each emphasizes power differentials, blockages, friction, and the relation between mobilities and immobilities.
The "Asian city of tomorrow?"
The People’s Park Complex is one of two megastructures built in the early 1970s as prototypes for a new “Asian city of tomorrow” designed to humanize the urban expansion of Singapore through the creation of affective ensembles and connections, and would serve as an alternative to the state’s forcible relocation of the population to alienating, cookie-cutter high-rise new towns. While the envisioned model of an expansive, affective urbanism failed to materialize in these megastructures, I examine how the transnational migrant and working-class communities that use the complex engage in other forms of affective placemaking that disrupt the narratives and temporalities in the state’s recuperation of the surrounding old city by the state as a heritage and tourist district. I illuminate how affect can serve as an analytic to reorient a unilinear notion of architectural failure toward new temporalities, imaginations, and futurities.
On the Creation of New Urban Museumscapes in Hong Kong and Seoul
Driven by global economic and cultural competition, Asian megacities seek future-oriented local and global self-representation using cutting-edge museums of contemporary art. This article analyzes the embedding of two vanguard museum projects, the “Museum+” in Hong Kong, China, and the new Museum of Modern and Contemporary Art in Seoul, South Korea, into long-term urban planning strategies and concepts. In order to understand the intended purpose and process of how the new museums of contemporary art are devised as public spaces of cultural selfrepresentation and urban identity building, the study monitors the complete design process from the city government’s urban and institutional planning strategies over architectural design to the museum’s mission statement and collection strategy. By comparatively tracing the museum projects in Hong Kong and Seoul, the evidence shows that, although they share a common global cities agenda, their pathways of urban place-making and community-building vary greatly. These variations depend on the historical role and current geopolitical repositioning of each city.
texts shared through UNICEF’s Instagram account include a unique identifier and a photographer credit. The distribution of credited, official photos signals that UNICEF’s Instagram activities are best represented as placemaking processes. McNely defines
The Significance of Place for Girls and Girlhood Studies
the place-making practices of girls and young women, as well as the limitations they meet through institutional power structures. In the first section, “Girls in Latitude and Longitude,” which is a title derived from the video installation “Voices in
People and Plants
Kay E. Lewis-Jones
; Vieira et al. 2015 ). As several articles in this volume explore, plants’ particular relationships with place-making, their forms of subjectivity and sociality, as well as their temporality—which can simultaneously create a sense of permanence while