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Acoustic Startles in Horror Films

A Neurofilmological Approach

Valerio Sbravatti

; Sbravatti 2016 ). Our perception of diegetic sounds may be mediated by a character's point of audition (POA) (see Chion 2009: 294–299 ; Kerins 2011: chap. 5 ). André Gaudreault and François Jost (1990) speak of auricularization as an auditory

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Jeff Smith, Dominic Topp, Jason Gendler, and Francesco Sticchi

offer as a means of cinematic expression, Biancorosso returns to a famous, albeit unusual, example of point-of-audition sound. He analyzes the well-known scene in Blackmail (Alfred Hitchcock, 1929) where Alice (Anny Ondra) overhears her neighbor