Sue Peabody, “There Are No Slaves in France”: The Political Culture of Race and Slavery in the Ancien Régime (New York and Oxford: Oxford University Press, 1996).
Laurent Dubois, Les Esclaves de la République. L’histoire oubliée de la première émancipation, 1789-1794, transl. by Jean-François Chaix (Paris: Calmann-Lévy, 2000).
by an electoral rationality.” 1 To situate the meaning of this innovation for the political culture of the PS, I will first describe the traditional Socialist Party’s repertoire of electoral action. I will then explain how this repertoire became less
Marx called France the political nation par excellence, as contrasted to economic England and philosophical Germany. But Marx arrived at his mature theory only after a stern critique of a “merely political” view of revolution. And some of his most important insights are developed in analyses of the failures of revolution in France. While Marx’s observation is insightful, the theoretical conclusions he drew from it are problematic. The monarchy in France was not absolute because it was all-powerful or arbitrary; its power came from the means by which it dominated all spheres of life, transforming an administrative and territorial entity into a political nation. In the wake of the Revolution, the republican tradition became equally absolute; it came to define what the French mean by the political (a concept whose use differs from what “Anglo-Saxons” define as politics).
In the past century, Germany, for better and for worse, offered itself
as a natural laboratory for political science. Indeed, Germany’s
excesses of political violence and its dramatic regime changes largely
motivated the development of postwar American political science,
much of it the work of German émigrés and German-Jewish
refugees, of course. The continuing vicissitudes of the German experience
have, however, posed a particular challenge to the concept of
political culture as elaborated in the 1950s and 1960s,1 at least in
part to explain lingering authoritarianism in formally democratic
West Germany. Generally associated with political continuity or only
incremental change,2 the concept of political culture has been illequipped
to deal with historical ruptures such as Germany’s “break
with civilization” of 1933-1945 and the East German popular revolution
of 1989. As well, even less dramatic but still important and relatively
rapid cultural changes such as the rise of a liberal democratic
Verfassungspatriotismus sometime around the late 1970s in West Germany3
and the emergence of a postmodern, consumer capitalist culture
in eastern Germany since 19944 do not conform to mainstream
political culture theory’s expectations of gradual, only generational
change. To be sure, continuity, if not inertia, characterizes much of
politics, even in Germany. Still, to be of theoretical value, the concept
of political culture must be able not only to admit but to
account for change.
The future political culture of eastern Germany and, with it, the relationship
between unified Germany’s once divided populations will
depend heavily upon how all Germans respond to a distinctive fact
about the east. The region experienced not one but, counting the
German Democratic Republic (GDR), two separate eras of dictatorship.
This fact can be, and has been, understood in two different
ways, with significantly different implications in each case. The first
is the perspective of the victim. According to this view, the citizens of
the GDR uniquely had to shoulder the burden of having been born,
in effect, “in the wrong place.” Not only did they endure greater
hardships than their western counterparts, such as the rebuilding of
Germany after World War II, but they suffered by themselves
through the debilitating consequences of Soviet occupation and their
inability, until 1990, to act upon the right to “free self-determination”
(to quote the original preamble of the Basic Law). As a result, according
to this argument, easterners were owed special treatment after
unification because of their distinctive misfortunes.
The staff of French Politics, Culture & Society is pleased to congratulate STÉPHANE GERSON, Associate Professor of French Studies, New York University, on winning the fifth Laurence Wylie Prize in French Cultural Studies (2003-2005) awarded by the Association for French Cultural Studies.
In Charles Cogan’s article, “The Iraq Crisis and France: Heaven-Sent Opportunity or Problem from Hell?”, French Politics, Culture & Society 22, 3 (Fall 2004), it was stated on page 126 that on 21 December 2002 the French Chief of Staff visited the Pentagon.
Modern political theory, while defining a democratic political regime, puts an emphasis on institutions and procedures. According to this view, whether a particular country is democratic or not depends on the ability of the opposition to oust the incumbent government without leaving the framework of existing institutions and procedures. Cultural values that sustain the democratic polity, including the spirit of political equality, are given much less attention. These values are assumed to be already present, either as a reflection of our similar physical constitution or as a reflection of the presence of democratic political regimes. This research challenges both the monopoly of the procedural understanding of democracy and the lack of particular interest regarding the construction of egalitarian political culture. I claim, first, that the rise of an egalitarian political culture contributes to the establishment of a democratic political regime and, second, that the establishment of modern schools in the late sixteenth century contributed to the construction of this egalitarian political culture.
Joseph Bohling La Lutte antialcoolique en France depuis le XIXe siècle by Bertrand Dargelos
Sally Debra Charnow Théâtres en capitales: Naissance de la société du spectacle à Paris, Berlin, Londres et Vienne, 1860–1914 by Christophe Charle
Philip Nord In Pursuit of the People: Political Culture in France, 1934–39 by Jessica Wardhaugh
Arthur Plaza Mobilizing Youth: Communists and Catholics in Interwar France by Susan B. Whitney
Romain Lecler The New Face of Political Cinema, Commitment in French Film since 1995 by Martin O’Shaughnessy
