Lisa Zunshine, Getting Inside Your Head: What Cognitive Science Can Tell Us about Popular Culture
Explanatory Models, Philosophies and Behaviour
Analysis of my ethnographic data on medical popular culture in tribal south-west Iran, mostly from 1965 to 1983, suggests several traditional explanatory models and philosophical tenets that guide approaches to health issues. Empirical knowledge of natural processes motivates people to observe their bodily requirements. The belief in God's autocratic power is tempered with God's purported wish that people use their abilities to take responsibility for their health, complicating the notion of 'fate'. The various models provide health management choices. Traditionally, patients and healers shared these models, acting on the same cosmological assumptions.
Graphic Adaptation in Germany in the Context of High and Popular Culture
perception of graphic adaptation in Germany are determined by a persistent division between high and popular culture: ‘a classist social system that equalled education with culture reinforced a perceived gap between elite “high” and mainstream “low” culture
Comics and Adaptation
Armelle Blin-Rolland, Guillaume Lecomte, and Marc Ripley
transnational circulation of visual, narrative and generic motifs; heteronormalisation and phallogocentrism; authenticity of drawn events; identity in a stateless minoritised culture; ‘high’ and popular culture; reverence in comics adaptations of the literary
Ronald de Rooy
representation of Dante and his text, seeking inspiration more in the traditional representations of Dante than in popular culture, and refraining from all-too-vigorous or aggressive appropriations or modernisations. This reverent and text-driven attitude becomes
Gender Trouble in Bulgarian Culture Today
Milena Kirova, Literaturniat kanon. Predizvikatelstva (The literary canon. Challenges) (Sofia: Sofia University Press, 2009), 287 pp., 15 BGN (hb), ISBN 978-954-07-2811-7.
Milena Kirova, ed., Neslucheniat kanon. Bulgarski pisatelki ot Vuzrazhdaneto do Vtorata svetovna voina (The canon that did not happen. Bulgarian women writers from the Bulgarian national revival period to World War II) (Sofia: Altera, 2009), 430 pp., 18 BGN (pb), ISBN 978-954-975-732-3.
Milena Kirova and Kornelia Slavova, eds., Identichnosti v prehod: rod, medii i populiarna kultura v Bulgaria sled 1989 g. (Gender identities in transition: Media and popular cul- ture in Bulgaria a er 1989) (Sofia: Polis Publishers, 2010), 256 pp., 12 BGN (pb), ISBN 978-954-796-032-9.
Ira J. Allen
Surveillance now is ubiquitous—each of us is decomposed along multiple axes into discrete data points, and then recomposed on screens and in combinatory algorithms that organize our life chances. Such surveillance is directly screened in popular culture, however, quite rarely. It is hard to see ubiquitous surveillance, and the harder something powerful is to see, the more powerful it tends to be. The essays of this Screen Shot offer perspective on various concrete instances of contemporary surveillance, both ubiquitous and granular, and in so doing offer tools for negotiating its suffusive presence in and organization of our lives.
Brazilian Conflicts and the Popular Culture of Sovereignty
This article explores the aesthetic elements of sovereignty. Building on the anthropological literature on sovereignty and on contemporary work on the politics of aesthetics, the article analyzes contemporary appearances of Batman symbols and figures in Rio de Janeiro. Despite political debate and academic discussion about the Batmen appearing in mafia-like militias and popular street protests in Rio, the question of what these appearances tell us about the relations between popular imagery and political contestation has remained untouched. This article supports the work of writers who argue that superhero comics and movies present fierce figures that operate in the zone of indistinction, at the crossroads of lawful order and its exception. However, it adds to this literature an analysis that shows in what kind of sociopolitical contexts these figures operate and how that plays itself out. To understand the contemporary appearances and force of figures of the entertainment industry better, this article proposes the concept “popular culture of sovereignty.”
Teen Girls Negotiating Discourses of Competitive, Heterosexualized Aggression
In this paper I explore the themes of heterosexualized competition and aggression in Avril Lavigne's music video Girlfriend (2007) as representative of the violent heterosexualized politics within which girls are incited to compete in contemporary schooling and popular culture. I argue that psycho-educational discourses attempting to explain girls' aggression and bullying fail to account for the heterosexualized, classed or racialized power dynamics of social competition that organize heteronormative femininity. Then I elaborate a psychosocial approach using psychoanalytic concepts to trace how teen girls negotiate contemporary discourses of sexual aggression and competition. Drawing on findings from a study with racially and economically marginalized girls aged thirteen to fourteen attending an innercity school in South Wales, I suggest that the girls enact regulatory, classed discourses like slut to manage performances of heterosexualized aggression. However, alongside their demonstration of the impetus toward sexual regulation of one another, I show how the girls in my study are also attempting to challenge heteronormative formations of performing sexy-aggressive. Moments of critical resistance in their narratives, when they refuse to pathologize aggressive girls as mean and/or bullies, and in their fantasies, when they reject heterosexual relationships like marriage are explored.
The Adolescent Female Body in YA Fantasy
In this article I explore how mythopoeic Young Adult (YA) fantasy offers examples of living and being an adolescent female body that challenge the dominant, hegemonic discourses dictating the adolescent girl's appearance in the West's imagesaturated culture. I begin by establishing the features of mythopoeic YA fantasy, before looking at Daine in Tamora Pierce's Immortals quartet and Cinder(ella) in Marissa Meyer's The Lunar Chronicles. Daine's shape-shifting body and Cinder's cybernetic one offer bodily change as an integral part of the (adolescent female) body, as opposed to the fixed perfection required by the fantasy femininity on offer in popular culture, including print, televisual, and social media. Employing a reading of touch in order to explore the multiplicity that is available on, and through, these bodies, I question the representational economy dominating the hegemonic discursive construction of the adolescent girl.