Search Results

You are looking at 1 - 3 of 3 items for :

  • "popular Hindi cinema" x
  • Refine by Access: All content x
  • Refine by Content Type: All x
Clear All Modify Search
Restricted access

Pictures, Emotions, Conceptual Change

Anger in Popular Hindi Cinema

Imke Rajamani

The article advocates the importance of studying conceptual meaning and change in modern mass media and highlights the significance of conceptual intermediality. The article first analyzes anger in Hindi cinema as an audiovisual key concept within the framework of an Indian national ideology. It explores how anger and the Indian angry young man became popularized, politicized, and stereotyped by popular films and print media in India in the 1970s and 1980s. The article goes on to advocate for extending conceptual history beyond language on theoretical grounds and identifies two major obstacles in political iconography: the methodological subordination of visuals to language in the negotiation of meaning, and the distinction of emotion and reason by assigning them functionally to different sign systems.

Restricted access

“I Am Trying” to Perform Like an Ideal Boy

The Construction of Boyhood through Corporal Punishment and Educational Discipline in Taare Zameen Par

Natasha Anand

Masculinities 7 , no. 1 : 347 – 364 . Creekmur , Corey . 2005 . “ Dissolving the Male Child in Popular Hindi Cinema .” Pp. 350 – 376 in Where the Boys Are: Cinemas of Masculinity and Youth , ed. Murray Pomerance and Frances Gateward . Detroit

Restricted access

Dealing with an Ocean of Meaninglessness

Reinhart Koselleck's Lava Memories and Conceptual History

Margrit Pernau and Sébastien Tremblay

: Anger in Popular Hindi Cinema,” Contributions to the History of Concepts 7, no. 2 (2012): 52–77, . Jennifer Millam and Alan Maddox, “Visual and Aural Intellectual Histories: An Introduction.” Intellectual