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The End of the Beginning

Normativity in the Postdigital Museum

Ross Parry

This article is an attempt to frame a way of seeing museums after the digital revolution. By introducing the concept of the ‘postdigital’, its aim is to evidence a tipping point in the adoption of new media in the museum—a moment where technology has become normative. The intention is not to suggest that digital media today is (or, indeed, should be) universally and equally adopted and assimilated by all museums, but rather to use the experience of several (national) museums to illustrate the normative presence digital media is having within some organizational strategies and structures. Having traced this perceived normativity of technology in these localized institutional settings, the article then attempts to reflect upon the consequences that the postdigital and the normative management of new media have for our approach to museological research.

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Sandra H. Dudley and Conal McCarthy

postdigital museum—through museums in cultural and urban development, new urban museumscapes in Seoul and Hong Kong, museums in Dubai, Biennales, museums and mental health, and museums online, to exhibitions as research, encounters in Melbourne’s Immigration

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Ling Tang, Jun Zubillaga-Pow, Hans Rollmann, Amber Jamilla Musser, Shannon Scott, and Kristen Sollée

Katrien Jacobs, The Afterglow of Women’s Pornography in Post-Digital China (New York: Palgrave Macmillan, 2015), 204 pp. ISBN 978-1-349-50361-2 (paperback, $95), ISBN 978-1-137-48517-5 (hardback, $95). Reviewed by Ling Tang , Hong Kong

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Editorial

Screening Vulnerability

Brian Bergen-Aurand

. It also includes reviews covering women’s pornography in post-digital China and rewriting the sexual in women’s pornography, queer nostalgia, female film stardom, affect and queer sociality, and Alfred Hitchcock’s things on screens. * * * It is

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Queer Sinofuturism

The Aberrant Movements and Posthumanist Mutations of Body, Identity, and Matter in Lu Yang's Uterus Man

Gabriel Remy-Handfield

.1007/978-3-030-28987-4_38 Grosz , Elizabeth . 2005 . Time Travels: Feminism, Nature, Power . Durham, NC : Duke University Press . 10.1215/9780822386551 Kim , Jihoon . 2017 . “ Digital and Postdigital 3D Animation in the Contemporary Chinese Art Scene: Miao Xiaochun and