This article analyzes representations of the Dreyfus Affair in the private diaries written between 1898 and 1901 by Henri Vever, a prominent Art Nouveau jeweler, art collector, and small-town mayor. The important place accorded the Affair in these “ordinary writings“ by an individual with no direct engagement in it offers an opportunity to assess how historical events become enmeshed with private life, mentalités, and sociability. Further, Vever's notebooks reveal position taking during the Affair as a complex phenomenon, in Vever's case influenced by circumstances encompassing his identity as both a native of Lorraine, marked by France's defeat in 1870, and a Republican notable and Parisian businessman. While Vever's notebooks corroborate some standard themes of Dreyfus Affair historiography, including the importance of the press and the eclipsing of the Affair by the 1900 World's Fair, they also nuance the idea of a rigid ideological division between Dreyfusards and anti-Dreyfusards.
The Dreyfus Affair in the Notebooks of Henri Vever
Willa Z. Silverman
discovery, the testimonies need to have been written up at the time, day by day during the conflict. The texts were originally private writings that became public, often several decades later, when they were published. The texts also had to be written by men
Discovering the Future in the Hispanic World
Translator : Mark Hounsell
agents and publicists offer definitive confirmation in the final decades of the eighteenth century that swing toward the future in the public sphere too. 2 Neither private writings nor correspondence were immune to the growing cult of the future that was