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Strikingly Low Agreement in the Appraisal of Motion Pictures

Pascal Wallisch and Jake Alden Whritner

70 : 1011 – 1021 . 10.2466/pr0.1992.70.3c.1011 Bordwell , David . 2013 . “The Viewer’s Share: Models of Mind in Explaining Film.” In Psychocinematics: Exploring Cognition at the Movies , ed. Arthur P. Shimamura , 29 – 53 . New York

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Book Review

Ted Nannicelli


Ted Nannicelli

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One Hundred Years of Photoplay: Hugo Münsterberg’s Lasting Contribution to Cognitive Movie Psychology

Andreas Baranowski and Heiko Hecht

neurocinematics. Based on the term, Arthur Shimamura (2013) proposed a broader focus, calling the new discipline psychocinematics. In his book Psychocinematics: Exploring Cognition at the Movies , he brought together some of the most senior film scholars alive

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Book Reviews

Robert Sinnerbrink and Matthew Cipa

-started by an article published in Projections ( Hasson et al. 2008 ), and has been continued in publications such as Psychocinematics ( Shimamura 2013 ) and a special issue of Cin é ma & Cie on “neurofilmology” ( D’Aloia and Eugeni 2014 ). The book

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Book Reviews

Jeffrey M. Zacks, Trevor Ponech, Jane Stadler, and Malcolm Turvey

ecological ( Anderson 1996 ) and cognitive ( Bordwell 1989 ) film theory, psychocinematics ( Shimamura 2013 ), and neurocinematics ( Hasson et al. 2008 ). The authors are long-time collaborators who are uniquely qualified to undertake this project. Vittorio

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Dramatic Irony

A Case Study in the Mutual Benefit of Combining Social Neuroscience with Film Theory

Cynthia Cabañas, Atsushi Senju, and Tim J. Smith

.neuropsychologia.2007.05.021 Shimamura , Arthur P . 2013 . Psychocinematics: Issues and Directions . Singer , Tania , and Claus Lamm . 2009 . “ The Social Neuroscience of Empathy .” Annals of the New York Academy of Sciences 1156 : 81 – 96 . https

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A True Language of Cinema

Maria Belodubrovskaya

. 1996 . Theorizing the Moving Image . New York : Cambridge University Press . Carroll , Noël , and William Seeley . 2013 . “ Cognitivism, Psychology, and Neuroscience: Movies as Attentional Engines .” In Psychocinematics: Exploring Cognition

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Cinematographic High-Contrast Lighting Can Facilitate Empathetic Affective Mimicry

Alan Voodla, Elen Lotman, Martin Kolnes, Richard Naar, and Andero Uusberg

, Arthur P. 2013 . Psychocinematics: Exploring Cognition at the Movies . Oxford : Oxford University Press . 10.1093/acprof:oso/9780199862139.001.0001 Shutter Angle . 2012 . “ Creating Depth, Part 1: Introduction, DOF, Deep Staging, Resolution

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When the Future Is Hard to Recall

Episodic Memory and Mnemonic Aids in Denis Villeneuve’s Arrival

Hannah Chapelle Wojciehowski

, Jeffrey M. 2013 . “Constructing Event Representations during Film Comprehension.” In Psychocinematics: Exploring Cognition at the Movies , ed. Arthur P. Shimamura , 227 – 243 . Oxford : Oxford University Press . 10.1093/acprof:oso/9780199862139.003.0012

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How Movie Events Engage Childrens’ Brains to Combine Visual Attention with Domain-Specific Processing Involving Number and Theory of Mind in a Cinematic Arena

Daniel T. Levin, Andrew Mattarella-Micke, Madison J. Lee, Lewis J. Baker, Matthew A. Bezdek, and Bruce D. McCandliss

Baker . 2013 . “ Belief, Desire, Action, and Other Stuff: Theory of Mind in Movies .” In Psychocinematics: Exploring Cognition at the Movies , ed. Arthur P. Shimamura , 244 – 266 . Oxford : Oxford University Press . Levin , Daniel T. , and