Alan Moore’s œuvre, and the primary focus of discussions of psychogeography in his comics. 2 It presents a fantastic conspiracy in which Royal Physician-in-Extraordinary William Withey Gull becomes Jack the Ripper, working at the behest of Queen
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Psychogeography’s Legacy in From Hell and Watchmen
Alex Link
Running Wilde
Landscape, the Body, and the History of the Treadmill
Vybarr Cregan Reid
How have exercise, the body, and modes of imprisonment become so imbricated in modern societies? The treadmill started its life as the harshest form of punishment that could be meted out, short of the death penalty. It remained so for two centuries. Today, we pay membership fees equivalent to a household energy bill for the dubious privilege of being permitted to run on them. The treadmill is a high-functioning symbol of our anthropocene life that chooses to engage with self-created realities that knowingly deny our creaturely existence.
This essay aims to bring a number of genres and disciplines into conversation with one another to effect a mode of reflective but insightful cultural analysis. Through this ecological interdependence of genre, (including history, philosophy, literary analysis, sociology, psychogeography, autobiography, and biography) the essay aims to look at the ways in which our condition in modernity conspires against our psychological, physiological, geographical, and personal freedoms. Using Oscar Wilde's experiences of life on the treadmill, some of Hardy's poetry, Simone Weil, Pater, Foucault, Lacan, Sartre, Althusser, and Lukács, the essay draws attention to the ways that inauthenticity and dehumanisation have become the mainstay of life in the modern gym.
Carte blanche to Travel Narrative
Philippe Vasset's Un livre blanc
Sara Bédard-Goulet
a travel narrative based on an investigation method similar to that of symmetrical anthropology ( Latour 1991 ), the other as the documentation of a performance reminiscent of psychogeography ( Richardson 2015 ) and other types of artistic walking
The Non-Secular Pilgrimage
Walking and Looking in Ken Cockburn and Alec Finlay’s The Road North
Alice Tarbuck and Simone Kotva
uses as a model of de-centralised writing and spontaneous ambulation. It is tempting, therefore, to read their approach to walking in the lineage of psychogeography, which traditionally has elevated the aleatory perspective of the flaneur who pursues
‘Off Path, Counter Path’
Contemporary Walking Collaborations in Landscape, Art and Poetry
Harriet Tarlo and Judith Tucker
, many informed by the growing interest in psychogeography and its offshoots; he observes a multiplicity of sometimes contradictory practices, including the growth in the number, visibility and influence of women walking, which in its turn exposes other
Black as Drought
Arid Landscapes and Ecologies of Encounter across the African Diaspora
Brittany Meché
.” It acknowledges, grapples with and carries “what has been.” ( 2019: np ) Similarly, in her “alternate history of Afrofuturism” as a “Pan-African psychogeography,” Somali-American novelist and critic Sofia Samatar highlights this spatial and
New Research
Visible Assemblages; Curating Art/Archaeology; Curatorial Contemplations on the Conditions of Sound Arts in Diaspora; Hybridity within an Expanding Field
Charulatha Mani, Pedro da Silva, Inês Moreira, Beatriz Duarte, Roozbeh Tabandeh, Iuliia Lashchuk, and Monika Żyła
alternative perceptions of the landscape by obstructing sight and occupying space through dialogue, and the insertion of this area in the psychogeography of the participants. The diversity of perceptions about material culture, as portrayed in the