Philip McDermott (2012), Migrant Languages in the Public Space: A Case Study from Northern Ireland (Münster: LIT), 320 pp., Pb: €29.90, ISBN: 978-3643800992.
This article examines the nature and trajectory of various conservationist campaigns in Ireland that have focused on the integrity of the landscape and the protection of public space. “Issue histories” of disputes over Ireland's natural and built heritage such as protests at the historic Viking site at Woodquay in Dublin and at the ancient site of the High Kings at Tara are used to show how conservation advocacy is part of a much wider movement that contests dominant notions of development. This paper conceptualizes “rural sentiment” as a reflexive form of conservation, which has shaped many heritage campaigns in a changing Ireland where rapid economic growth and unchecked property development have threatened the integrity of many rural and urban environments.
Gender and Carnival in a North Aegean Island Community
This article focuses on gender relations through the performance of carnival rites in a North Aegean island rural community. Based on qualitative research, it approaches the women’s use of public space during carnival and the changes under the influence of women’s emancipation since the 1970s. The percentage of women, especially young girls, participating in carnival rites has risen dramatically over the last decade. However, not all carnival public spaces are equally open to women. The article examines the way women try to impose their presence on the strictly male universe of the carnival space and especially the marketplace, the traditional and timeless core of the carnival rites, where only men can pronounce the obscene carnival language, fruit of the kafeneion male discourse and the reactions of the male community to the novelties brought by feminism into the village.
Analytical Routes through Multiple Meanings
Translator : Jeffrey Hoff
structures and practices that are actually taking place. I conclude by citing Stausberg (2011 ) a final time. Without great elaboration, he presents an important point when he states: “Being public, tourism creates, forms, sustains and changes public space(s
The three urban commons
Ida Susser and Stéphane Tonnelat
Drawing on Lefebvre and others, this article considers contemporary urban social movements with a selective review of urban research and suggestions for future ethnographic, cultural, and sociological questions. Under a generalized post-Fordist regime of capital accumulation, cultural workers and laborers, service workers, and community activists have all participated in urban movements. We consider such collective action, generated in the crucible of urban life, as a reflection of three urban commons: labor, consumption, and public services; public space (including mass communications and the virtual); and art, including all forms of creative expression. We suggest that the three urban commons outlined here are not necessarily perceived everywhere, but as they momentarily come together in cities around the world, they give us a glimpse of a city built on the social needs of a population. That is the point when cities become transformative.
Afro-Brazilian Religions, Public Space, and the National Collective in Twenty-First-Century Brazil
Elina I. Hartikainen
Allegations of religious intolerance push courts to deliberate on questions that are constitutive of the problem space of secularism. In addition to legal opinions on the character and scope of religious freedom vis-à-vis conflicting rights, these arbitrations result in authoritative statements on what constitutes religion, how it may inhabit public space, and, ultimately, what interests and values underpin the national collective. This article analyzes three high-profile court cases alleging religious intolerance against Afro-Brazilian religions that were tried in Brazil during the first two decades of the 2000s. It demonstrates how at this time of rapid religious transformation the adjudication of such cases acted as a key site for the Brazilian legal establishment to redefine the place of religion in the broader context of rights and laws that regulate religion in public spaces.
la revolución egipcia a través del graffiti
*Full article is in Spanish
English abstract: The emergence of graffiti's urban subculture as a means of political expression has become a singular issue of the so-called Arab Spring. Graffiti and urban art, which had little to no relevance in the Arab world until now, emerged with unusual force in many countries, notably in the Palestinian territories, Lebanon, and Egypt. This blossoming takes shape in tangent with the strengthening of a civil society and its rise as a decisive actor in the new political arena. In Egypt's case, graffiti achieved a leading role that reflected the milestones of civil disturbance, marking the walls with virtual snapshots of the popular sentiment. The proliferation of graffiti also had considerable resonance in international media because of the strategy of spreading rebellious and subversive slogans by means of the symbolic occupation of a public space, which, until now, was monopolized by authoritarian powers.
Spanish abstract: Un fenómeno singular de la denominada “Primavera Árabe“ ha sido la eclosión de la subcultura urbana del graffiti como medio de expresión política. De escasa o nula relevancia hasta ahora, el arte urbano de las pintadas ha surgido con una fuerza inusitada en varias zonas del mundo árabe, notoriamente en los Territorios Palestinos, el Líbano y Egipto. Dicho florecimiento cuaja en paralelo con la rearticulación de la sociedad civil y su irrupción irreversible como actor de los nuevos escenarios políticos. En el caso de Egipto, los graffitis han tenido un señalado protagonismo como reflejo de los sucesivos hitos de las revueltas, marcando los muros y paredes con verdaderas instantáneas del sentir popular. La proliferación del graffiti ha tenido asimismo una considerable resonancia en los medios internacionales, debido a la estrategia de ocupar simbólicamente el espacio público, -que hasta ahora estaba reservado al monopolio de los poderes autoritarios- para la difusión de consignas contestatarias y subversivas.
French abstract: Un phénomène singulier de la “printemps arabe“ a été l'émergence de la culture urbaine du graffiti comme un moyen d'expression politique. Avec peu ou pas d'importance jusqu'à ce jour, l'art urbain et le graffiti ont émergé avec une force inhabituelle dans diverses régions du monde arabe, notamment dans les Territoires Palestiniens, le Liban et l'Égypte. Ce e éclosion doit être mise en parallèle avec le renforcement de la société civile et son émergence comme acteur décisif dans le nouveau scénario politique. Dans le cas de l'Égypte, le graffiti a joué un rôle clé comme reflet des jalons successifs des révoltes, en marquant les murs avec des instantanés virtuelles du sentiment populaire. La prolifération des graffitis a rencontré aussi un écho remarquable dans les médias internationaux en raison de la stratégie d'occupation symbolique de l'espace public pour la diffusion des slogans rebelles et subversifs; un espace public qui était réservé jusqu'à aujourd'hui aux pouvoirs autoritaires.
As I enter the Centre for Contemporary Arts (CCA) in Glasgow for the opening night of the Scottish Queer International Film Festival (SQIFF), two giant pink poodles (actually festival volunteers dressed as characters from the festival’s opening film, Dyke Hard [Bitte Andersson, 2014]), greet me enthusiastically. They gesture me toward the CCA Theatre where a sold-out crowd has assembled for the festival’s opening screening of the Swedish lesbian fiction film Dyke Hard. The plastic chairs we sit on are closely packed together to maximize audience space, and yet even as I bang elbows with those on either side of me and feel my knees pressed up against the seat in front of me, the excited and jovial mood of the surrounding crowd overcomes immediate feelings of physical discomfort.
This article analyzes contemporary democracies from a deliberative democratic standpoint and focuses on the connection between public and empowered spaces. The idea of deliberative systems and the concept of “transmission” are introduced to discuss the ways in which the public is able to affect the empowered spaces. While elections perform important democratic functions, alone they cannot provide a good quality means for connecting deliberation in the public to that of actors in the empowered space. The problem with transmission is exacerbated to the extent that alternative forms of participation are neglected. The limited ability of the public to affect the empowered space in deliberative and democratic ways contributes to the crisis of democratic systems. One solution to this problem is to acknowledge the role of citizens' deliberation. The article argues for the systematic introduction of spaces for citizens' deliberation that would parallel existing decision-making.
Civil Society and Urban Agriculture in Europe
Mary P. Corcoran and Joëlle Salomon Cavin
This special issue comprises articles by social and environmental scientists, most of whom participated in a working group on governance models and policy contexts of the COST Action TD1106 Urban Agriculture Europe during the period 2012–2016. All have a particular interest in the potentialities of urban agriculture as mediated through civil society actors to contribute to, shape, and transform urban policies in the intersecting fields of land use and access; food and urban ecosystems; education and environment; and history, heritage, and cultural practice. The collaborative, interdisciplinary, and bottom- up character of the contributions broadens and deepens our knowledge of urban agricultural practice across Europe.