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Crimen Sollicitationis

Tabooing Incest after the Orgy

Diederik F. Janssen

Late modernity’s binary intrigue of child sexuality/abuse is understood as a backlash phenomenon reactive to a general trans‐Atlantic crisis concerning the interlocking of kinship, religion, gender, and sexuality. Tellingly dissociated from 1980s gay liberation and recent encounters between queer theory and kinship studies, the child abuse theme articulates modernity’s guarded axiom of tabooed incest and its projected contemporary predicament “after the orgy”—after the proclaimed disarticulation of religion‐motivated, kin‐pivoted, reproductivist, and gender‐rigid socialities. “Child sexual abuse” illustrates a general situation of decompensated nostalgia: an increasingly imminent loss of the child’s vital otherness is counterproductively embattled by the late modern overproduction of its banal difference, its status as “minor.” Attempts to humanize, reform, or otherwise moderate incest’s current “survivalist” and commemorative regime of subjectivation, whether by means of ethical, empirical, historical, critical, legal, or therapeutic gestures, typically trigger the latter’s panicked empiricism. Accordingly, most “critical” interventions, from feminist sociology and anthropology to critical legal studies, have largely been collusive with the backlash: rather than appraising the radical precariousness of incest’s ethogram of avoidance in the face of late modernity’s dispossessing analytics and semiotics, they tend to feed its state of ontological vertigo and consequently hyperextended, manneristic forensics.

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Repetitions of Desire

Queering the One Direction Fangirl

Hannah McCann and Clare Southerton

Girls’ Media Culture , ed. Mary Celeste Kearney , 1 – 14 . New York : Peter Lang . 10.3726/978-1-4539-0128-1 McCann , Hannah . 2016 . “ Epistemology of the Subject: Queer Theory's Challenge to Feminist Sociology .” Women's Studies Quarterly

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Miles away from Screwing?

Queer Gothic Girlhood in John Harding's Florence and Giles

Robyn Ollett

difference produced shifts in feminist scholarship that were nothing short of paradigmatic” (2013: 14). With the emergence of Queer theory, which became part of this process in the 1990s, Huffer notes its import as having two key axes: [It] can be seen

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“Banal Apocalypse”

An Interview with Author Ta-wei Chi on the New Translation of The Membranes

Jane Chi Hyun Park and Ta-wei Chi

The Membranes . Chi: I was inspired by the simplified interpretation of Judith Butler and queer theory then. And some Julia Kristeva maybe. Those books were so mysterious and abstract to me and peers in the 1990s that we tended to imagine them to be

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Princesses, Bad Little Boys, and Normal People

Fluidity and the Queer Body in Adventure Time

Candice D. Roberts

-American girl. Potential queerness in and queering of the body is not limited to expressions of sexuality, and many scholars call for an understanding of intersectional identities in order to truly realize the potential of critical queer theory. Writer

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The Queer Death of the Hanged Dog

The 1677 Execution of Mary Higgs’ Mongrel

Jennifer Lodine-Chaffey

identity of an individual but as disturbing identities and social organizations. See Edelman, No Future: Queer Theory and the Death Drive (Durham: Duke University Press, 2004), 17. 22 David Halperin, Saint Foucault: Towards a Gay Hagiography (Oxford

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Bottom Value

Critiquing Top Supremacy's Instrumentalization of Bottomly Risk in Queer Theory and the PrEP Debates

Jordana Greenblatt

The figure of the bottom, 1 specifically as one who experiences risk, is central to queer theory's construction of queerness as subversive—primarily subversive, that is, of the normative order and the normative subject. Philosophically generative

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The Pain and the Creeping Feeling

Skewed Girlhood in Two Graphic Novels by Åsa Grennvall

Maria Margareta Österholm

ethnicity and race, to challenge norms of academic writing, and as a decolonial method. Skewed theory is not meant to replace queer theory, but rather to grasp the intangible and unnameable aspects of not fitting into norms, including but not limited to

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Processual Aesthetics and Feminist Trouble

The Comics of Rikke Villadsen

Charlotte Johanne Fabricius

of her comics. Drawing on queer theory and materially oriented close reading, I argue that Villadsen utilises a ‘processual aesthetic’ to represent complex negotiations of feminism. I discuss Villadsen's depictions of transgressive sexuality, her use

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Freak Temporality

Female Adolescence in the Novels of Carson McCullers

Alison Sperling

. The emergence of the field of queer theory in the 1990s has therefore enabled more nuanced readings of McCullers’s work. Queer theory developed in part as a response to gay and lesbian studies, which did not account sufficiently for the wide range of