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Nicole Hudgins

The avalanche of ruin photography in the archives, albums, publications, and propaganda of World War I France challenges us to understand what functions such images fulfilled beyond their use as visual documentation. Did wartime images of ruin continue the European tradition of ruiniste art that went back hundreds of years? Or did their violence represent a break from the past? This article explores how ruin photography of the period fits into a larger aesthetic heritage in France, and how the depiction of ruins (religious, industrial, residential, etc.) on the French side of the Western Front provided means of expressing the shock and grief resulting from the unprecedented human losses of the war. Using official and commercial photographs of the period, the article resituates ruin photography as an aesthetic response to war, a symbol of human suffering, and a repository of rage.

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Performing Identity

Early Seventeenth-Century Travelers to the Ruins of Troy

Vassiliki Markidou

The article focuses on three early-seventeenth-century (English and Scottish) leisure travelers’ accounts of the (alleged) ruins of Homeric Troy, namely those penned by Thomas Coryat, William Lithgow, and George Sandys. It argues that their rumination on the specific remains both shaped and reflected their manifold, fractured, and precarious identities while it also highlighted the complex dialogue taking place in these texts between a ruinous past and a fragmented and malleable present. The essay also examines the three travelers’ broken poetics, interspersed in the aforementioned accounts, and shows that they constitute highly self-aggrandizing narratives through which their authors perform their fragile identities.

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Jaime Moreno Tejada

Kawa, Nicholas C. 2016. Amazonia in the Anthropocene: People, Soils, Plants, Forests. Austin: University of Texas Press. [e-book].

Starosielski, Nicole. 2015. The Undersea Network. Durham, NC: Duke University Press.

Tsing, Anna L. 2015. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton, NJ: Princeton University Press.

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Rodrigo Booth

In 1984 the successful Chilean punk rock band Los Prisioneros identified Latin America as “an exotic place to visit”. Written in a strongly anti-imperialist key, the song “Latinoamerica es un pueblo al sur de Estados Unidos” (“Latin America is a village to the south of the United States”) said about tourism in the continent: For tourists and curious people, / it is an exotic place to visit. / It is only a cheap

place, / but inappropriate to live there. / Latin America offers, / the Rio’s Carnival and the Aztec Ruins, / dirty people wandering around in the streets, / ready to sell themselves for some US dollars.

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Robert Glick, Jo Ezekiel, Rifkah Goldberg, Maureen A. Sherbondy, Michael Pierce, B. Z. Niditch, Zelda Schneerson-Mishkovsky and Admiel Kosman

On the Museum’s Ruins The Distance Between Encino and Gulbeniski is The Distance Between Assimilation and Holocaust By Robert Glick

My grandmother, during her sister’s birth Omega By Jo Ezekiel

Nostalgia for the Old Millennium By Rifkah Goldberg

Havdalah Tashlich By Maureen A. Sherbondy

Belle Teshuvah By Michael Pierce

Leni R. at 100 Sound Without Music By B.Z. Niditch

My Soul’s Guests at the Time of Loneliness In the Moon's Domain By Zelda Schneerson-Mishkovsky

The Song of Songs Kiddush An Invitation to Angels A New Commentary with God’s Help For the Ten Days of Repentance By Admiel Kosman (translated by Varda Koch Ocker)

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Karen Hébert, Joshua Mullenite, Alka Sabharwal, David Kneas, Irena Leisbet Ceridwen Connon, Peter van Dommelen, Cameron Hu, Brittney Hammons and Natasha Zaretsky

TSING, Anna Lowenhaupt. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins

BIGGS, Reinette, Maja SCHÜLLER, and Michael L. SCHOON. Principles for Building Resilience: Sustaining Ecosystem Services in Social Ecological Systems

HELM, Dieter. Natural Capital: Valuing the Planet

KIRSCH, Stuart. Mining Capitalism: The Relationship between Corporations and Their Critics

KRÜGER, Fred, Greg BANKOFF, Terry CANNON, Benedikt ORLOWSKI, and E. Lisa F. SCHIPPER, eds. Cultures and Disasters: Understanding Cultural Framings in Disaster Risk Reduction

MCGREGOR, James H. S. Back to the Garden: Nature and the Mediterranean World from Prehistory to the Present

MOORE, Jason. Capitalism in the Web of Life: Ecology and the Accumulation of Capital

PIPER, Karen. The Price of Thirst: Global Water Inequality and the Coming Chaos

SCHNEIDER-MAYERSON, Matthew. Peak Oil: Apocalyptic Environmentalism and Libertarian Political Culture

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Introduction

The Dialectics of Displacement and Emplacement

Henrik Vigh and Jesper Bjarnesen

Wars unsettle our commonsense understandings of movement and mobility. Simultaneously entropic and inertial, they conjure up images of rampant disorder and chaos as well as strained and crippled formations locked in negative tension. On the one hand, detrimental movement; on the other, deadly stalemate. Both mobility and immobility are, as such, associated with the iconography of warfare and conflicts. They may be presented as out of time through pictures of empty streets, ruins, trenches, and dead bodies frozen in contorted positions, yet, conversely, some of the most archetypical images of war connote speed, flows, and movement, seen in images of troop advances or retreats, rows of traveling refugees, and hauls of humanitarian aid shipped or flown into airports and harbors from afar. In temporal terms, conflict and violence are oft en represented in the lethargy of decay or the entropy of aggression.

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Mariske Westendorp, Bruno Reinhardt, Reinaldo L. Román, Jon Bialecki, Alexander Agadjanian, Karen Lauterbach, Juan Javier Rivera Andía, Kate Yanina DeConinck, Jack Hunter, Ioannis Kyriakakis, Magdalena Crăciun, Roger Canals, Cristina Rocha, Khyati Tripathi, Dafne Accoroni and George Wu Bayuga

Bielo, James, Materializing the Bible. Digital project. http://www.materializingthebible.com.

Casselberry, Judith, The Labor of Faith: Gender and Power in Black Apostolic Pentecostalism, 240 pp., notes, index. Durham, NC : Duke University Press, 2017. Paperback, $25.95. ISBN 9780822369035.

Clark, Emily Suzanne, A Luminous Brotherhood: Afro-Creole Spiritualism in Nineteenth-Century New Orleans, 280 pp., notes, index. Chapel Hill: University of North Carolina Press, 2016. Hardback, $34.95. ISBN 9781469628783.

Cowan, Douglas E., America´s Dark Theologian: The Religious Imagination of Stephen King, 272 pp., notes, index. New York: NYU Press, 2018. Hardback, $30.00. ISBN 9781479894734.

Darieva, Tsypylma, Florian Mühlfried, and Kevin Tuite, eds., Sacred Places, Emerging Spaces: Religious Pluralism in the Post-Soviet Caucasus, 246 pp., illustrations, bibliography, index. New York: Berghahn Books, 2018. Hardback, $90.00. IS BN 9781785337826.

Daswani, Girish, Looking Back, Moving Forward: Transformation and Ethical Practice in the Ghanaian Church of Pentecost, 280 pages, figures, notes, index. Toronto: University of Toronto Press, 2015. Paperback, $30.95. ISBN 9781442626584.

Giraldo Herrera, César E., Microbes and Other Shamanic Beings, 274 pp., index. New York: Palgrave Macmillan, 2018. Paperback, $99.99. ISBN 9783030100414.

Kaell, Hillary, ed., Everyday Sacred: Religion in Contemporary Quebec, 356 pp., figures, notes, index. Montreal: McGill-Queen’s University Press, 2017. Hardback, $110.00. ISBN 9780773550940.

Kripal, Jeffrey J., Secret Body: Erotic and Esoteric Currents in the History of Religions, 448 pp., appendix, notes, index. Chicago: University of Chicago Press, 2017. Paperback, $35.00. ISBN 9780226679082.

Cabot, Zayin, Ecologies of Participation: Agents, Shamans, Mystics and Diviners, 352 pp., preface, index. London: Rowman & Littlefield, 2018. Hardback, $110.00. ISBN 9781498568159.

Lauterbach , Karen, Christianity, Wealth, and Spiritual Power in Ghana, 221 pp., appendix, index. New York: Palgrave Macmillan, 2017. Paperback, $119.99. ISBN 9783319815299.

Liberatore, Giulia, Somali, Muslim, British: Striving in Securitized Britain, 304 pp., figures, index. London: Bloomsbury, 2017. Paperback, $32.50. ISBN 9781350094628.

Mansur, Marcia, and Marina Thomé, dirs., The Sound of Bells (O Som dos Sinos), documentary film, Portuguese, 70 min. Estúdio Crua, 2016. $320.00. https://store.der.org/the-sound-ofbells-p1012.aspx.

Oosterbaan, Martijn, Transmitting the Spirit: Religious Conversion, Media, and Urban Violence, 264 pp., notes, bibliography, index. University Park: Pennsylvania State University Press, 2017. Paperback, $39.95. ISBN 9780271078441.

Srinivas, Tulasi, The Cow in the Elevator: An Anthropology of Wonder, 296 pp., notes, references, index. Durham, NC: Duke University Press, 2018. Paperback, $26.95. ISBN 9780822370796.

Taneja, Anand Vivek, Jinnealogy: Time, Islam and Ecological Thought in the Medieval Ruins of Delhi, 336 pp., illustrations, notes, references, index. Stanford, CA: Stanford University Press, 2018. Paperback, $30.00. ISBN 9781503603936.

Wilcox, Melissa M., Queer Nuns: Religion, Activism, and Serious Parody, 336 pp., notes, bibliography, index. New York: NYU Press, 2018. Paperback, $30.00. ISBN 9781479820368.