The aim of this article is to explore to what extent the rule of economics commonly known as Gresham's law (“bad money drives out good money”) can be extrapolated to verbal language (“bad concepts drive out good concepts”). Consequently, the goal of this article is twofold. First, for Gresham's law to be applied simultaneously to money and language, its unfortunate (“good”/“bad”) and obscure (“drives out”) wording should be clarified. Second, one should identify the contexts in which the validity of the law could be assessed best, and run a very preliminary test. For this purpose, the circulation of the adjective (“hard”, “strong”, or “stable” in Russian) in the word combination (“hard currency”) in use in the Soviet Union in the 1920s and 1930s was scrutinized.
Do “Bad” Concepts Drive Out “Good” Ones?
Albania’s socialist regime—the last socialist government in Europe—ensued in 1992. Methods I apply a social semiotic analysis of visual communication drawn from the work of Gunther Kress and Theo van Leeuwen. 13 By offering a “grammar of visual design
Materializing Affinity in Japanese Foster and Adoptive Care
Kathryn E. Goldfarb
and fostering are not easily recognized as kinship. I suggest that material resemblance is taken up as a pragmatic semiotics ( Silverstein 1993 ; Stasch 2009) through which people self-reflexively interpret the signs that count as relatedness
Martyrdom and Memorials in Post–Civil War Lebanon
Are John Knudsen
extended: the public demand for the truth about his murder came to be interpreted as seeking the truth, not only for Hariri but for ‘all the bloody incidents of the past’ ( Haugbolle 2006: 68 ). Thus, in a semiotic sense, seeking the ‘truth’ behind Hariri
(De)materializing Kinship—Holding Together Mutuality and Difference
Kathryn E. Goldfarb and Caroline E. Schuster
kinship in order to explore two interrelated concepts that are of vital importance to understanding the wider stakes of relatedness today: the politics of value and semiotics. Put another way, we put forward a perspective on materiality rooted in
The Example of Cuerda de presas
Since the end of the 1990s, more and more Spanish comics have focused on the recent Spanish past, including the memory of the Civil War (1936–1939) and the succeeding dictatorship. This article offers an analysis of a particular comics volume, Cuerda de presas (2005) by Jorge García and Fidel Martínez, and discusses the way in which it interprets the role of the past in Spanish society thirty years after the political transition to democracy. I argue that Cuerda de presas participates in the questioning of the dominant memory about the past. It does this by undermining narrative coherence and by pointing to the plural and unstable characteristics of memories. Charles Peirce's semiotics constitutes the framework for the analysis, according to which there is a dynamic relationship between Cuerda de presas and Spanish society.
A Semiotic Reading of the Memorial Hall for Victims of the Nanjing Massacre by Japanese Invaders
This article analyzes the Memorial Hall for Victims of the Nanjing Massacre by Japanese Invaders, opened in its present form in 2007 to commemorate the massacre perpetrated by the Japanese in 1937, when in the course of six weeks a significant number of harmless civilians were brutally slaughtered. The memorial is a highly complex semiotic object: it includes a large museum but is also, and perhaps above all, a huge thematic park that occupies an extremely large surface area of seventy-four thousand square meters. Through a close reading of the site, this article seeks to show how the Nanjing Memorial, more than serving the function of conservation and transmission of a tragic, traumatic memory, is mostly a monument to Chinese nationhood, an important step in the construction of a new national identity.
Athar Haj Yahya
Multiculturalism is respectful of diversity among individuals and communities in a society, allowing them to retain and express their particular identities and engage in egalitarian dialogue. This article examines how the multiculturalist approach is reflected in the linguistic and semiotic landscape of Arab museums in Israel. It focuses on a case study of the Umm al-Fahm Art Gallery as a window onto the sociocultural realities of Israel. The article’s findings are based on an analysis of the linguistic and semiotic landscape elements of the museum space and a semi-structured in-depth interview with its founder. They attest to deficiencies in the process of retaining and designing the particular cultural elements for the Palestinian-Arab population in Israel, affecting the realization of multiculturalism and compromising egalitarian dialogue between the various communities.
A Cultural Concept for Conditions of Being Far from Salvation
“Dancing mania” and “St. Vitus dance” were culturally formed illness concepts that enabled late medieval people in the Rhine area to act out states of liminality. The semiotics of these trace back to ancient Platonic cosmology, which had been transmitted into medieval theology by late antique Neoplatonism. In this article the iteration of these motifs especially through the early and high Middle Ages is scrutinized. When “dancing mania” emerged in the fourteenth century it was thus neither an early case of mass hysteria nor a particular form of religious deviance, as is still assumed frequently.
. Derivatives thus separate value from its referent, give it a price, and allow it to reproduce autonomously. They lay bare the semiotic nature of all financial value, for the recognition of exchange-value is already a successful imposition of image on reality