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Social Sensations of Symptoms

Embodied Socialities of HIV and Trauma in Uganda

Lotte Meinert and Susan Reynolds Whyte

Sensations and symptoms are socially shared, as well as individual, experiences. The sensations of one mindful body are not perceived only by that individual, but often also by immediate others. The interpretation of sensations as symptoms of a

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Noisy Lives, Noisy Bodies

Exploring the Sensorial Embodiment of Class

Camilla Hoffmann Merrild, Peter Vedsted and Rikke Sand Andersen

sensations are turned into symptoms and how people move from feeling fine to feeling sick, we explore the situatedness of the body and its meaning in the making of symptoms. Inspired by what has been referred to as a medical anthropology of sensations (e

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Queer Sensations

Postwar American Melodrama and the Crisis of Queer Juvenility

Cael Keegan

This essay analyzes the cinematic genre convention of the “sensation scene” as a vehicle for the representation of queer crises in American juvenility during the postwar era. Through popular cinema, post-WWII America organized and communicated concerns about the production of “fit” masculine and heterosexual juveniles who would be capable of carrying out the postwar expansion of American democratic and capitalist ideologies. The sensation scene was deployed by popular films to mark queer and racialized masculinities in an aesthetic system that mirrored institutional efforts to prevent “unfit” juveniles from accessing the benefits of full social and political participation. Today, the genre device continues to structure popular film representations of and common thinking about the relative value of young, male American lives.

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‘The Good Citizen’

Balancing Moral Possibilities in Everyday Life between Sensation, Symptom and Healthcare Seeking

Sara Marie Hebsgaard Offersen, Peter Vedsted and Rikke Sand Andersen

possibilities for acting as ‘a good citizen’ are reflected in the bodily practices of the Danish middle class, this article particularly pays attention to the ways in which notions of morality are embedded in perceptions of bodily sensations and thereby create

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Rikke Sand Andersen, Mark Nichter and Mette Bech Risør

Inspired by the sensory turn in the humanities, anthropologists have coined the term ‘an anthropology of the senses’ to describe the study of the perceptual construction and output of bodily sensations and sense-modalities (cf. Howes 2006

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Taking Responsibility

Ovarian Cancer Patients’ Perspectives on Delayed Healthcare Seeking

Susanne Brandner, Wiebke Stritter, Jacqueline Müller-Nordhorn, Jalid Sehouli, Christina Fotopoulou and Christine Holmberg

on the social and cultural context of individual behaviours ( Andersen 2010 ; Andersen and Risør 2014 ). It aims at overcoming merely descriptive explanations as to why patients delay care seeking in relation to bodily sensations by investigating if

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Ignoring Symptoms

The Process of Normalising Sensory Experiences after Cancer

Tone Seppola-Edvardsen and Mette Bech Risør

; Geyer et al. 2015 ; Somerfield et al. 1999 ). Our study of the process of interpreting bodily sensations might be placed within the field of cognitive and emotional coping strategies in terms of coping as appraisal, being ‘evaluative cognitive processes

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Dangerous Mobilities

Mimi Sheller

across these realms that a theoretical approach informed by the mobilities turn can reveal. In this afterword, I want to draw together some of these lessons in materialities, sensations, mobility assemblages, and performances, and to consider their

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Approaching Health in Landscapes

An Ethnographic Study with Chronic Cancer Patients from a Coastal Village in Northern Norway

Magdalena Skowronski, Mette Bech Risør and Nina Foss

-structured interviews ( Kuckartz et al. 2008 ). The monthly interviews included questions about well-being, perceptions concerning bodily changes, bodily sensations and symptoms. The conversations and observations of the first author as she spent time with some of the

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Eric J. Cunningham

argument is that these negotiated tensions and anxieties give rise to sensations of cohesiveness and harmony, which are conveyed using sets of discourses and practices that are compelled by (and also invoke) notions of democracy, citizenship, and nationhood