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The Aesthetics of Boredom

Slow Cinema and the Virtues of the Long Take in Once Upon a Time in Anatolia

Emre Çağlayan

and offers the perfect escape by eliciting other, mainly positive and enjoyable emotions. Yet, thanks to the recent slow cinema debate—essentially a journalistic discussion that originated in the pages of Sight and Sound and henceforth disseminated

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Ivan Mozzhukhin’s Acting Style

Beyond the Kuleshov Effect

Johannes Riis

the editor, since an emphasis on the engineering power of the editor could signal a break with the actor-driven approach to storytelling of Yakov Protazanov and other Csarist directors. As suggested by Yuri Tsivian, the move from slow cinema to rapid

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Jessica Bay, Alaina Schempp, Daniela Schlütz, and R. Colin Tait

techniques as employing an Academy aspect ratio rather than the widescreen aspect ratio that typifies Hollywood westerns as well as the inclusion of long takes with frequently quiet settings, which characterize slow cinema. The third section “Beyond the

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Elemental Imagination and Film Experience

Climate Change and the Cinematic Ethics of Immersive Filmworlds

Ludo de Roo

the poetic aesthetics of nature that arrest the narrative plot (i.e., slow cinema) that invites a more reflective mode of viewing (e.g., MacDonald 2004 ), whereas other ecocinema scholars have explored the spectators’ cognitive processes, such as

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Jeff Smith, Dominic Topp, Jason Gendler, and Francesco Sticchi

could be fruitfully applied to a wide range of filmmaking traditions, from the martial-arts movies of Taiwan and Hong Kong to the slow cinema of Theo Angelopoulos and Béla Tarr. Her book is not just a significant contribution to the history of classical

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What Does It Mean to Be an Ecological Filmmaker?

Knut Erik Jensen’s Work as Eco-Auteur

Mette Hjort

stillness of photography and painting, Bousé points in the direction of slow cinema, while Willoquet-Maricondi claims that “The potential to locate eco-auteurs and ecocinema is more fully realized in independent and experimental productions, and in the