loyalties—calls into question often elusive symbolic and social boundaries between groups and individuals. Boundaries arise from social interactions, are historically sedimented in memories and bodies, and are continuously made and unmade by subjects. As
The March for Hrant Dink and New Ways of Mobilization in Turkey
The Spatial Assimilation of Immigrants
While scholars study residential segregation dynamics in order to understand minorities’ assimilation into mainstream society, less is known about these mechanisms in ethno-national migration contexts. This article examines Israel’s demographic dynamics from 1961 to 2008 in order to evaluate and provide a framework for the process of spatial assimilation of Mizrahim and Ashkenazim in the context of segregation from the Palestinian citizens of Israel. By using the Theil index (H), I assess the level of segregation in different geographic layers and then explore how internal migration has reduced spatial distance within the Jewish society. The analysis demonstrates that despite the disadvantaged position of Mizrahim as of 1961, levels of residential segregation had decreased by 1983. Also, boundaries changed from a variance between Mizrahim and Ashkenazim into a variance among Mizrahim only, with those who relocated as the most spatially assimilated group and those who remained as the most segregated one.
Much previous scholarly work has noted the gendered nature of humor and the notion that women use comedy in a different way than do their male peers. Drawing on prior work on gender and humor, and my ethnographic work on teen girl cultures, I explore in this article how young women utilize popular cultural texts as well as everyday and staged comedy as part of a gendered resource that provides potential sites for sex-gender transgression and conformity. Through a series of vignettes, I explore how girls do funny and provide a backdrop to perform youthful gendered identities, as well as establish, maintain, and transgress cultural and social boundaries. Moving on to explore young women and stand-up I question the potential in mobilizing humor as an educational resource and a site in which to explore sex-gender norms with young people.
The Making of the 'Golden Cage'
This article focuses on the Greek community of Alexandria, a socially and territorially bounded Diaspora entity that articulates a sense of connection to place through claims of a historically continuous socio-spatial connection to both Egypt and Greece. Through analyses of visual material collected and produced during fieldwork, I explore the spatial and social boundaries of the community before and after Nasser’s 1952 revolution and highlight discontinuities in the narratives and imaginings of the city articulated by different generations. Studying the creation of new borders, I reveal how restriction to, and isolation within, the ‘golden cage’ of Greek areas is both willingly embraced and a source of frustration. I conclude by outlining how spatial and ideological boundaries overlap and how they are shifted and defended by Greek and non-Greek inhabitants of the city.
Embracing Contamination in Twentieth-Century Crime Fiction
In Powers of Horror (1982), Julia Kristeva suggests that the corpse is ‘the utmost in abjection. It is death infecting life’. This categorical statement, while not intended for the genre of crime fiction, nonetheless does much to explain the power and appeal of the twentieth century’s most successful fictional formula. For Kristeva, the abject is ‘the in-between, the ambiguous, the composite’ (4); it is experienced as an encounter with ‘an other who precedes and possesses me’ (10) and it is ‘a border that has encroached upon everything’ (3). Borders both defend and confine. They are the necessary limits that protect the subject from psychosis, and they are that which deny us our desired return to a lost imaginary plenitude. Kristeva’s abject evokes seepage, it speaks to the instability of borders, and the impossibility of the pristine, the firm, the uncontaminated. And it is just this sense of unavoidable defilement, this tension between the maintenance and collapse of cultural and social boundaries, that underpins both the crime genre and our fascination with the form.
The Impossibility Result
Elias L. Khalil
exploit, outsiders. Section 2 proceeds by first defining ‘social boundary’. Section 3 discusses the concept of ‘exploitation’. Section 4 discusses the concept of ‘injustice’. Section 5 shows how the Impossibility Result is the necessary outcome of the
Girlhood in Renaissance England
resistance to social and sexual boundaries. In chapter two, Higginbotham continues her examination of female characters in late sixteenth- and early seventeenth-century drama, looking at those who resist such social boundaries. Girlhood was a space of greater
Thomas Hylland Eriksen
the contrast between cultural tolerance and social boundary maintenance, the scalar gap between cosmopolitan ideals and group-based practices needs to be examined briefly. The example of interethnic marriages (known in Mauritius as mixed marriages) may
soldiers in whom they perceived a lack of commitment. Consequently, the conflict no doubt constituted an important point of crystallization of those social boundaries. To follow those two main links, the methodology I used is a common one. It had three
Andrew Lattas, Anni Kajanus and Naomi Haynes
orders. Spatial orders encode social order. Indeed, space is a constitutive part of the structure of social relations and cultural understandings. The architecture and layout of cities articulate social boundaries by separating and positioning diverse