The Grands Magasins Dufayel, a huge department store built on the northern fringe of late nineteenth-century Paris, had an important cultural influence on the city's working class. In a neighborhood with few public spaces, it provided a consumer version of the public square. It encouraged workers to approach shopping as a social activity, just as the bourgeoisie did at the famous department stores in central Paris. Like the bourgeois stores, it helped transform consumption from a personal transaction between customer and merchant into an unmediated relationship between consumer and goods. Through advertising the store portrayed itself as a space where the working-class visitor could participate in new and exciting forms of entertainment and technology. Its unique instore cinema and exhibits of inventions like X-ray machines and the gramophone created a new kind of urban space that celebrated the close relationship between technology and consumer culture.
The struggle to save the Beeliar Wetlands, an urban remnant bushland in Perth, Western Australia, demonstrates elements of both urban social and urban environmental movements. At the end of 2016, 30 years of objection to the continuation of the Roe Highway development (Roe 8) culminated in months of intense protest leading up to a state election and a cessation of work in 2017. During the long-running campaign, protestors fought to preserve high-conservation-value bushland that was contained in the planned road reserve. At the heart of this dispute were competing spatial uses. This article will analyze four protest actions from the dispute using Henri Lefebvre’s concept of the production of space, and will demonstrate that the practices of protest gave those fighting to preserve Roe 8 the agency to reinscribe meaning to the natural uses of the Beeliar Wetlands over and against the uses privileged by the state.
While much attention has been paid to Angela Carter’s intertextual appropriation of Shakespeare and her interrogation of the patriarchal ideology at work in his representations of familial strife, critics tend to focus on Carter’s final novel, Wise Children. Shakespeare’s influence on Carter’s earlier novel, Nights at the Circus, has gone largely unremarked. Like Wise Children, Nights at the Circus builds a bricolage of Shakespearean allusions, but it more subtly reconsiders the ontological issues of legitimacy by returning to Shakespeare’s interest in ambiguity, in deniability, in time, and in space. I argue that Nights at the Circus appropriates and shatters Shakespeare’s disruptive methods concerning the materiality of time in The Winter’s Tale and Hamlet. In so doing, Carter reverses time and dismembers space to criticise the masculine-made-legitimate at the expense of the feminine, which Shakespeare’s temporal and spatial manipulations ultimately uphold.
Subjectification in Pilgrimage to the Iran-Iraq War Battlefields in Contemporary Iran
assumed subjectivities of RN visitors to the Iran-Iraq War battlefields, this article shows why RN is envisioned by the Islamic Republic (IR) as a pedagogical means for subject-formation, and, moreover, how space and subjectivity are co-produced at the
Technological Mediation, Oceanic Imaginaries, and Future Depths
Remote ways of seeing and imagining the oceans—through technologies like geographic information systems, robotics, and artificial intelligence—are aiding an expansion of human influence over vast oceanic spaces. This article investigates how
How an International Student Dorm in Copenhagen Became a Closed Circuit during COVID-19
how the dorm, previously considered a domestic space only, has now emerged as a closed circuit that combines in a single space living, work and leisure activities. Due to the lack of physical, mental and temporal demarcations between spaces of work and
Space has been accepted as a fundamental pillar of the disciplines of social science since the 1980s. Lefebvre's concepts of the creation of social space and the importance of the process of creating mental/conceptual space serve well as a
Tahmineh Hooshyar Emami
territories, a new type of city has emerged, mostly located at significant border crossings and with a rapid expiration date. Here, I refer to these as “the cities or spaces of in-between.” The overarching analysis which I introduce in the following sections
Playing at Diminished Reality in East Jerusalem
Fabio Cristiano and Emilio Distretti
spaces, politics, and narratives are assembled and reproduced in rarified ways, often in contrast to the complexities on the ground. Particularly in the context of disputed areas, overlaying a virtual world over a disputed space remains a problematic
Austro-German Filmmaker, Bestselling Author, and Journalist Colin Ross Discovers Australia
tales of South Seas paradise, but Ross’s depictions undoubtedly re-oriented appraisals of this space through a strategy combining—or recalling—colonial desire and contemporary geopolitics in popular form. Ross was most invested in shifting the