Genre differentiation is possible by external factors (function, communicative situation) and internal factors (grammar, theme). As the external factors for all 18 texts of the corpus are the same, the article relies on internal factors. The cohesive means of genre identification in this corpus are recurrence, time structure, connectivity, grounding, and lexis. The peculiarity of Koriak genre differentiation consists in a preponderance of narrative structures, which are characterized by a sequential time line with passages in scenic present tense and structures of a theme with a following exemplification.
Storytelling around the Museum of Witchcraft
The skeleton of Joan Wytte, or the Fighting Fairy Woman of Bodmin, was displayed in the Museum of Witchcraft in Cornwall in the UK for several decades until her eventual burial in nearby woodland in the autumn of 1999. Her story has been deployed as a critical historical source and a demonstrable link between Cornwall and magical histories. It is well established that the past is recorded and represented through narratives, artefacts and events in multiple and diverse ways, and museums are often idealised sites for historical knowledge. Historicity is contingent on current needs and agendas, and often contested. Through retelling over time certain elements are highlighted or downplayed. Since the burial, the life and death of Joan Wytte has become vividly invested with new meanings as her story becomes incorporated into the landscapes of folklore, Cornish histories and magical practices.
Controlling Images and Meaning Making Through the Use of Counter-narratives
Mellie Torres, Alejandro E. Carrión, and Roberto Martínez
, and Fergus 2012 ; Rios 2017 ). The authors, utilizing a mixed methods approach, draw on the notion of counter-storytelling from Critical Race Theory ( Solórzano and Yosso 2002 ) to explore ways Latino boys try to reframe masculinity, manhood, and
Urban Exploration in Estonia
Francisco Martínez and Patrick Laviolette
This article outlines narratives of trespass. It analyses relations between the personal and the social in abandoned urban physical surroundings. Grounded in our own duo-auto-ethnographic encounters with off-limit places, the research examines the classic notion of liminality through a set of prisms that are less than orthodox. It does so by stressing the formative and transformative possibilities of those threshold spaces that often get bypassed, surpassed or trespassed. Through a series of vignettes describing moments of urban exploration in different parts of Estonia, our implicit aim is to unsettle such conceptual categories as risk and adventure, material decay and transgression. Explicitly, we argue for revisiting storytelling tropes such as the flâneur or the stalker, freeing them up from their respective leisure and pastime associations.
value of a good film that is not a time-tested classic. Hollywood Aesthetic offers two distinct theories of why spectators enjoy narrative films. The first theory appears in Chapter 3, “Hollywood Storytelling.” The second appears in Chapter 7
Digital Storytelling as a Feminist Public Health Approach
Aline C. Gubrium and Gloria T. Difulvio
Strategies designed to address community health needs, and those of disadvantaged girls in particular, are more likely to be successful in supporting health and wellbeing if a humanistic perspective is taken. A humanistic health perspective should consider broader participant concerns, including those that are socially informed. A feminist perspective on knowledge production and a corresponding narrative approach—digital storytelling—has the potential for doing so in the field of community health and in social research efforts. We begin by reviewing a feminist perspective on knowledge development and present digital storytelling as an approach undergirded by this perspective. We then present examples of two digital stories produced by adolescent girls during a pilot community-based participatory project called A Girl in the World which focused on what it actually means to be girls in the world, and conclude that digital storytelling has the potential to provide a more holistic research platform for investigating girls' health.
Making tri-lingual folktale books
Kira Van Deusen
For political and economic reasons, oral storytelling has lagged behind other art forms in the Siberian cultural revival. The deep spiritual philosophy found in ancient tales can clarify and unite viable approaches to today's political, artistic and ecological concerns. Since most Siberian indigenous languages are considered to be threatened, if not almost extinct, and since languages are basic to stories, perhaps revival of storytelling can facilitate initiatives to preserve language. This article looks briefly at storytelling and language during the Soviet period and the first decade after, and describes two tri-lingual folktale book projects undertaken in collaboration with Udeghe and Khakassian folklorists and cultural activists.
Creating Situations and Spaces of a City's Counter-narrative
This article explores the creation of new structures of participation and counter imaginaries within the city between the poles of arts and politics. On the basis of two case studies, one situated in the non-institutionalised artistic field and one in the non-institutionalised political field, I will explore narratives of a 'topography of the possible' in the city of Salzburg. Aiming to outline collage pieces of a topography of the possible and of counter-narrative in and of the city – the city is looked at in terms of collage, understood as overlapping layers of the three spatial dimensions materiality (physical space), sociability (social space) and the imaginary (symbolic space). These are understood as differing but interrelated spatial dimensions, each one unfolding forms of collective appropriation of a city. The focus lies on the creation of social relations and collective imaginaries on the micro-level of cultural and political self-organised initiatives, looked at under terms of narration and storytelling. My ethnographic project asks for the creative potentiality of a city and for the creative power of social relations and collective imaginaries.
Films and Stories from a Tundra Village
last section, I present the stories before ending with a discussion of the politics of storytelling and affect. Remoteness, Films, and Sentimental Pessimism The village is often defined in the media as otdalenka , a diminutive of “remote area,” and can
Anna-Lisa Sayuli Fransson
When Sweden was confronted with the idea of building a gas pipeline through the Baltic Sea, the Swedish government found itself in a paradoxical situation. Should it give in to strong foreign interests and abandon its proudly held line of environmental policy, or stick to its profile at the risk of earning a powerful adversary? This narrative analysis, building on the government's official narratives, explains how and why the self-proclaimed environmental guardian of the sea ended up having it both ways. By using strategies of depoliticization, polarization, and parallel storytelling, the Swedish government surrendered narrative power to its antagonist, alternated between incompatible views of its own political capability, and added a happy ending to the pipeline tragedy. These strategies enabled the government to make an environmentally controversial decision without losing prestige or abandoning its ethical profile regarding the Baltic Sea.