strengthened by more attention to medium specificity and specifically to television and the “temporal prolongation” featured in multi-episode programs such as The Good Place (NBC, 2016–2019), of which she provides a very useful analysis. I would agree, except
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Jane Stadler
narrative and the passage of real time is often used between episodes and seasons “to construct the passage of diegetic time” ( Nannicelli 2017, 65 ). Nannicelli thereby identifies “temporal prolongation,” which entails “a temporally unfolding, yet
Héctor J. Pérez
is to analyze interepisodic aspects characteristic of serials, shows marked by two qualities that will be of special interest to this article: temporal prolongation and the multiplot structure. The main plot twists of three TV series I will discuss