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Tore Holst

Abstract

In Delhi, former street children guide tourists around the streets they once inhabited and show how the NGOs they live with try to resocialize current street children. The “personal stories” they perform implicitly advocate simple solutions that conveniently fit the limited engagement of the tourists, whose ethical position is thereby validated in relation to the NGO. But this uncomplicated exchange of guides’ emotions for tourists’ capital is in the guides’ interest, because it allows them to set boundaries for the emotional labor of performing their past suffering. The guides are thus incentivized to work within a post-humanitarian logic, selling their stories as commodities, which then incentivize the tourists to act as consumers, who have little choice but to frame their declarations of solidarity with the children as acts of consumption.

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Performing the Hyphen

Engaging German-Jewishness at the Jewish Museum Berlin

Jackie Feldman and Anja Peleikis

The Jewish Museum Berlin (JMB) is a dynamic, performative space that negotiates between representing the Jew as an integral part of German history and as ultimate Other. While this tension has been documented through the political history of the museum (Lackmann 2000; Pieper 2006; Young 2000), we focus on the dynamics of guided tours and special events. We claim that guiding and festival events at JMB marginalise Holocaust memory and present an image of Jews of the past that promotes a multicultural vision of present-day Germany. In guiding performances, the identity of the guide as German/Jewish/Muslim is part of the guiding performance, even when not made explicit. By comparing tour performances for various publics, and the 'storytelling rights' granted by the group, we witness how visitors' scripts and expectations interact with the museum's mission that it serve as a place of encounter (Ort der Begegnung). As German-Jewish history at JMB serves primarily as a cosmopolitan template for intercultural relations, strongly affiliated local Jews may not feel a need for the museum. Organised groups of Jews from abroad, however, visit it as part of the Holocaust memorial landscape of Berlin, while many local Jews with weaker affiliations to the Jewish community may find it an attractive venue for performing their more fluid Jewish identities – for themselves and for others.

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Changing Colors of Money

Tips, Commissions, and Ritual in Christian Pilgrimage to the Holy Land

Jackie Feldman

The movement of money in Christian pilgrimage is a profound mirror of cultural classifications. By examining tips, commissions, and souvenir purchases in Holy Land pilgrimages, I show how the transfer of monies activates a series of multiple, complex relationships between Jewish guides, Palestinian drivers, and Christian pilgrims. I identify the 'colors'—or moral values—of salaries, tips, and commissions that change hands as 'white', 'black', or 'gray' monies and correlate these colors with particular discourses and degrees of transparency. I then illustrate how prayer, rituals, and the citation of scripture may 'bleach' these monies, transforming tips into 'love offerings' and souvenir purchases into aids to spiritual development or charity to local communities, while fostering relationships and conveying messages across religious and cultural lines. Far from being a universal 'acid' that taints human relationships, pilgrimage monies demonstrate how, through the exchange of goods, people are able to create and maintain spiritual values.

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Lucila Zárraga Cano, María del Pilar Jiménez Márquez, Víctor Manuel Molina Morejón, and Enrique Corona Sandoval

pensamiento contemporáneo . México, D.F. : Instituto de Geografía de la UNAM y UAM-Xoxhimilco . Reily , V. ( 2000 ). Becoming a tour guide: Principles of guiding and site interpretation . Great Britain : Continuum London and New York . Rubi , F

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Bronwen Douglas, Science, Voyages, and Encounters in Oceania, 1511–1850 Nicole Starbuck

David Lipset and Richard Handler, eds., Vehicles: Cars, Canoes, and Other Metaphors of Moral Imagination Rudi Volti

Kathryn A. Morrison and John Minnis, Carscapes: The Motor Car, Architecture and Landscape in England John Mohr

Sumanth Gopinath and Jason Stanyek, eds., The Oxford Handbook of Mobile Music Studies, 2 vols. Michael D'Errico

Anna Morcom, Illicit Worlds of Indian Dance: Cultures of Exclusion Kabita Chakraborty

Maarten Van Acker, From Flux to Frame: Designing Infrastructure and Shaping Urbanization in Belgium Nathalie Roseau

Garth Lean, Russell Staiff, and Emma Waterton, eds., Travel and Imagination and Travel and Transformation Christopher Keirstead

Iain Borden, Drive: Journeys through Film, Cities and Landscapes Fabian Kröger

Jonathan R. Wynn, The Tour Guide: Walking and Talking New York Matilde Cordoba Azcarate

NOVEL REVIEW Richard Flanagan, The Narrow Road to the Deep North Paul Sharrad

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Christian Pilgrimage Groups in Jerusalem

Framing the Experience Through Linear Meta-Narrative

Vida Bajc

Christian pilgrims come to the Holy Land to visit specific physical places that give their faith a tangible form. On organized tours, pilgrimage is structured through an itinerary which consists of a series of encounters, purposefully shaped to bring to life the story of Jesus. These encounters involve performative practices of tour-group leaders at specific symbolic sites with particular narratives. The biblical reality is invoked through a process of meta-framing which allows for a cognitive shift from the mundane walking from site to site into a biblical reality. Meta-framing interlaces the Christian religious memory, performed by the spiritual leader, with the Israeli historical memory, performed by the Israeli tour guide, into a single, linear meta-narrative.

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It was horrible, but we live now

The experience of young German adults in everyday encounters with the Holocaust

Lisa J. Krieg

It is summer. I am sitting in a beer garden in a park in Cologne, under green trees, surrounded by city houses, with one of my main informants, a museum tour guide. The noise of playing kids and people enjoying an after-work beer dominate the

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Maria Hupfield

nodding yes, yes, yes and no, no, no in forward and reverse. Figure 8 Artist Tour Guide , three 30-minute performances, 2013–2014. Photograph by Jason Lujan. Commissioned by the Smithsonian National Museum of the American Indian in New York

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William Nessly, Noel B. Salazar, Kemal Kantarci, Evan Koike, Christian Kahl, and Cyril Isnart

instead the product of historical relationships between nation-states and cultures. In her ethnography of Japanese tour guides, anthropologist Shiho Satsuka describes the lives of young men and women in their twenties and thirties who left Japan

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Jackie Clarke, Melanie Kay Smith, Margret Jäger, Anne O’Connor, and Robert Shepherd

alternative tourism workers. She follows four alternative tourism companies and interviews the business owners and tour guides. These companies tend to visit the more sequestered areas of the city that are not inundated by mass crowds of tourists—for example