This essay uses transference, in the psychoanalytic sense, to illuminate the history of emotions in the era of late imperialism. Centered on Frantz Fanon's rejoinder to Octave Mannoni's dependency theory and his rejection of Freud's theory of the Oedipal complex, this essay provides as well a broader scholarly understanding of French psychiatry in North and West Africa, and the prominence therein of sympathy, magic, denial, and transference.
A Postcolonial Re-reading of Emotions, Race, and Hierarchy
Masochism in Alan Hollinghurst's "The Folding Star"
This article reads Hollinghurst’s The Folding Star through a synthesis of Freud’s theories of transference and the death drive and Jean Laplanche’s theory of infantile masochism. My reading traces the role of masochism in the formation of the gay male subject and in this way contributes towards an understanding of the repressed masochism which is central to psychic life, and more specifically to an understanding of its role within masculinity and gay masculinities. Through this reading I attempt to shed light on the problems of such an identity both for the subject and for a relationality at work within Hollinghurst’s novel which is consistently dependent upon a melancholic preservation of heterosexual masculinity.
From the Drama of Production to the Production of Drama
Gluckman's paper, "The Bridge," challenged received social anthropology, initially in segregated South Africa, at the LSE, and more generally, by illustrating that professional observers and participants in social situations are profoundly mutually interinvolved with one another despite wide cultural differences. While retracing his own history within it, the present writer relates this new anthropology to the methods of modernist literature (and to changing natural science approaches) in which writers such as Joyce and Woolf, and more recent successors, revealed the culture of an epoch in the closely analyzed incidents of even a single day. They paralleled Freud's methods in psychoanalysis and the specific analyses of discrete political situations in Marx, as well as in later developments of television, film, and the visual arts. After Gluckman's move to the Rhodes-Livingstone Institute, Oxford, and finally Manchester, he and his colleagues and students are shown as developing this interpretive method in very varied contexts.
Conversations with an Iatmul Woman of Papua New Guinea
Florence Weiss and Milan Stanek
Rituals are analyzed in anthropology as non-personal cultural structures, embedded in the overall behavioral patterns and semantic networks that are typical for a particular cultural group. This article focuses on the Iatmul people of Papua New Guinea and their ritual, naven, which features transvestite behavior and ritualized social roles. The authors discuss the ethno-psychoanalytic approach, which focuses on the psychodynamics of the relationship between two persons, the foreign researcher and his or her local counterpart, that develops in the course of a series of conversations. The narrative shifts to a case study involving Weiss and an Iatmul woman, Magendaua, which took place over three months. Their conversations particularly illuminate the meanings of the naven ritual. The use Magendaua made of the naven can be characterized as a transformation of the tensions in the relationship with her Swiss ethnographic-interlocutor and interpreted as a general feature of the rituals of this type.
Since the early 1970s, the author has been working among the poverty-stricken Yaka people in rural southwestern Congo and suburban Kinshasa. A descendant of a colonizing society, the author sought immersion in a particular Congolese community and later in suburban Kinshasa, as well as insights from within the host group's own rationale and perceptions. Through reciprocal fascination and compassionate encounter, hosts and anthropologists transfer onto each other images, longings, and thoughts that in many ways are unconsciously biased. The self-reflective experience of integration in other life-worlds has helped the author to self-critically scrutinize his own native Belgian socio-cultural matrix. The article advocates a type of post-colonial and psychoanalytically inspired anthropology that urges self-critical understanding of definitions of self-creation in relation to alterity constructs. Any further development of psychoanalytically informed anthropology, or of culture-sensitive psychoanalysis, should draw on this understanding of co-implication and intercultural polylogue, thereby allowing these disciplines to transcend their Eurocentric antecedents.
—following Walter Murch (2001) and countless other editors who may not have articulated such a principle but who regularly enact it—that editing might not behave optimally for preservation of smooth transference of attention if artistry of another order is
A Personal Journey
Starting with a reflection on the experience of his own analysis, conducted in German by a German analyst, the author explores the problems of psychoanalytic work carried out in a cross-cultural context. First, the Hindu world-view and its three major elements, moksha, dharma, and karma, are explained. The cultural belief in a person's inner limitations is contrasted with the Western mind-set of individual achievement. The high value that Hindu society places on connection as opposed to separation and how this affects notions of gender and the sense of one's body is discussed. The article then returns to the author's experiences in analysis and his conclusions about the nature of cultural transference and counter-transference and the optimal approach toward psychoanalysis with regard to differing cultural backgrounds.
Maarten Coëgnarts and Peter Kravanja
This article examines embodied visual meaning in film, the ways that film makes use of recurring dynamic patterns of our shared bodily interactions with the world (image schemas) to communicate abstract meaning to the viewer. Following the lead of recent discoveries in the field of neuroscience, the article argues that this metaphorical transference of abstract thought by means of image schemas is possible via the activation of embodied mirroring mechanisms in the observer. This empathetic and physical encounter of the viewer with the representational content and form of the work is crucial to the understanding of abstract conceptual thought in film.
Craig San Roque
This article explores the relationship of Central Australian 'Dreaming', or Tjukurrp, to symbol and thought formation in Aboriginal culture. Acknowledgment is given to ethnographic and indigenous descriptions of Tjukurrp and to Aboriginal mythopoeia, but the author is primarily concerned with how thoughts are made and what they are made of. Comparisons are drawn to European myths and cults in order to understand how Tjukurrp and myth might influence intercultural transference. The author suggests that through an anthropological and psychoanalytical analysis of intercultural conversations and an understanding of Tjukurrp's structure and content, non-indigenous people working in health and law might appreciate and comprehend Aboriginal thinking and thus be more effective in various aspects of engagement. In this meditation on thought formation and failure, the author seeks to understand the relationships between Aboriginals and non-Aboriginals, so that those who intend to help do not end up destroying.
Although Sartre denounces Descartes' two principles, he nevertheless draws inspiration from him. No doubt this is close to being paradoxical; we shall have to be no less paradoxical in our explanation. For although the text entitled “Cartesian Freedom,” which introduces a volume of selections from Descartes, , confers some coherence on this apparent non-sense, once the texts surrounding this work have been taken into account, we have to conclude not only that this text predates , even though it was published afterwards, but that it is a collection of Descartes' writings on Sartre, even though it is a writing by Sartre on Descartes. For beyond the Sartrean analysis of the Cartesian analyses of the , we find Sartre's existential psychoanalysis of his predecessor, in which takes place not a transference, but a counter-transference.
French S'il déclame contre les deux principes qui sont ceux de Descartes, Sartre se réclame pourtant de lui. Sans doute n'est-il pas à un paradoxe près. Reste qu'il nous faudra ne pas l'être moins pour expliquer le sien. Car certes, le sens du texte qu'il intitule « La li berté cartésienne » et qui articule ce volume de morceaux choisis qu'est Descartes 1596-1650 confère quelque cohérence à cet apparent non-sens. Mais une fois présenté de cette œuvre le paratexte, il nous faudra affirmer non seulement que celle-ci se lit avant L'être et le néant quoiqu'elle ait été publiée après, mais, plus encore, qu'elle est un ensemble d'écrits de Descartes sur Sartre quoiqu'elle soit un écrit de Sartre sur Descartes. C'est qu'outre l'analyse sartrienne des analyses cartésiennes de la Méditation quatrième, on y trouve une psychanalyse existentielle par l'auteur de son devancier, à l'occasion de laquelle a lieu non pas un transfert, mais un contre-transfert.