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Milena Kirova

Our virtual seminar is dedicated to women intellectuals of East Europe; the topic involves isolating and shaping women’s most important roles in the present historical and political situation. In order to be more specific and perhaps more efficient, I am going to speak mainly about the reality I know best, that is, about the state of women intellectuals in Bulgaria, their problems in creating literature and the likelihood of ‘women’s writing’ in the country during the last seventeen years.

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'Other Sensations'

Janice M. Allan

Written in 2005 – at which point research into sensation fiction was seen to have reached a ‘crossroads’ – the sentiments expressed by Andrew Maunder resonated widely with those working within the field. Thanks, in part, to the work of Maunder himself, we have made considerable progress in effecting this ‘shift’, not simply in our thinking, but also in the subject of thought. I have in mind here his six volume collection, Varieties of Women’s Sensation Fiction: 1855–1890 (2004) which, together with the scholarly editions published by Broadview Press, Valancourt Books, and, most recently, Victorian Secrets, has served to broaden substantially the field of study and alert us to the breadth and diversity of the genre as a whole. For many of us, myself included, Maunder’s collection represented the first opportunity to read the novels of such ‘forgotten’ sensationalists as Florence Marryat, Felicia Skene, Mary Cecil Hay, and Dora Russell. The fruit of such recovery work has been evident in a number of recent publications, such as Kimberley Harrison and Richard Fantina’s Victorian Sensations: Essays on a Scandalous Genre (2006), as well as a range of journal articles, most obviously those published by Women’s Writing, that move us beyond sensationalism’s most famous triptych of texts.

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Anglo-Irish Writing

Eibhlín Evans

In this issue of Critical Survey we present a selection of essays which demonstrate a range of critical approaches to a variety of material within Anglo-Irish writing. The recalcitrant traditionalism that previously marked this arena has long gone, replaced now by a broadly analytical approach. Likewise, the traditionally established and highly selective, mostly male canon of Anglo-Irish writing has been replaced by a more inclusive arena and these articles represent the diversity of scholarship and research across this expanded area. One of the most significant changes within Anglo-Irish criticism in the last decade has been in the volume of attention given to women writers. Several essays here focus on women’s writing, recognising Irish women writers’ legitimate inclusion across a range of genres. Kathy Cremin examines the disparity between Irish women’s increased opportunities in terms of determining their own lives and the elisions and ambivalences regarding these at the heart of Patricia Scanlan’s best-selling fiction. Helen Kidd explores the particular poetic strategies of three of Ireland’s leading women poets, Naula Ní Dhomhnaill, Eileán Ní Chuilleanain and Eavan Boland. Mary King couples the plays of J. M. Synge and one of Ireland’s leading contemporary playwrights, Marina Carr, in a timely exploration of the treatment of ‘the other’ in Irish drama.

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Shulamit Reinharz and Mark A. Raider, eds., American Jewish Woman and the Zionist Enterprise Review by Jerry Kutnick

Jacob Lassner and S. Ilan Troen, Jews and Muslims in the Arab World: Haunted by Pasts Real and Imagined Review by Seth J. Frantzman

Rebecca L. Stein, Itineraries in Conflict: Israelis, Palestinians, and the Political Lives of Tourism Review by Hadas Weiss

Anthony H. Cordesman, Arab-Israeli Military Forces in an Era of Asymmetric Wars Review by Eyal Ben-Ari

David Rodman, Arms Transfers to Israel: The Strategic Logic Behind American Military Assistance Review by Zach Levey

Risa Domb, ed., Contemporary Israeli Women’s Writing Review by Naomi Sokoloff

Yifat Holzman-Gazit, Land Expropriation in Israel: Law, Culture and Society Review by Donna Robinson Divine

Baruch Kimmerling, Clash of Identities: Explorations in Israeli and Palestinian Societies Review by Uriel Abulof

Nili Scharf Gold, Yehuda Amichai: The Making of Israel’s National Poet Review by Lisa Katz

Jakob Feldt, The Israeli Memory Struggle: History and Identity in the Age of Globalization Review by Miriam Shenkar

Anat Helman, Or v’Yam Hekifuha: Urban Culture in 1920s and 1930s Tel Aviv Review by Moshe Gershovich

Aziza Khazzoom, Shifting Ethnic Boundaries and Inequality in Israel: Or, How the Polish Peddler Became a German Intellectual Review by Dafna Hirsch

Leonard Grob and John K. Roth, eds., Anguished Hope: Holocaust Scholars Confront the Palestinian-Israeli Conflict Review by Ruth Amir

Tamir Sorek, Arab Soccer in a Jewish State: The Integrative Enclave Review by Sarah F. Salwen

David N. Myers, Between Jew & Arab: Th e Lost Voice of Simon Rawidowicz Review by Eran Kaplan

Alexander Yakobson and Amnon Rubinstein, Israel and the Family of Nations: The Jewish Nation-State and Human Rights Review by Eran Shor

Zvi Shtauber and Yiftah S. Shapir, eds., The Middle East Strategic Balance, 2005–2006 Review by Sergio Catignani

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Monika Rudaś-Grodzka, Katarzyna Nadana-Sokołowska, Anna Borgos, and Dorottya Rédai

, women’s writing is like an island 1 : outstanding female writers do not have their place in the history of women’s writing but instead function as “exceptions” in a history of literature dominated by men. The manuscripts in the online catalog are indexed

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Valentina Mitkova

relationship appears in various manifestations of gender tutelage in the field of literature, understood as a mechanism for treating women’s writing as secondary, amateur, and entangled in Pygmalion plots as a clear articulation of power in the processes of

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Željka Janković and Svetlana Stefanović

. Acknowledgments This review essay was written within the framework of the research project “Knjižen-stvo: Theory and History of Women’s Writing in Serbian until 1915,” financed by the Ministry of Education, Science and Technological Development of the Republic of

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Edited by Raili Marling

the hierarchies of national canon formation. Women’s writing is assessed in the historical sources studied on the basis of its adherence to gender norms, including gendered norms of authorship, rather than artistic merit. This analysis is important for

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Bilal Tawfiq Hamamra

-Century Women’s Writing: Mary Sidney’s Psalms and the “Femininity” of Translation’, in Writing and the English Renaissance , ed. William Zunder and Suzanne Trill (London: Longman, 1996), 140-158, here 147. 13 Michel de Montaigne, Essays , trans. John Florio

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Fatima Zahra Bessedik

’s Housekeeping’, Interdisciplinary Literary Studies 4.17 (2015), pp. 557-574. 47 Robinson, Home , 235. 48 Laura E. Tanner, ‘Uncomfortable Furniture: Inhabiting Domestic and Narrative Space in Marilynne Robinson’s Home’, Contemporary Women’s Writing 7 (2006