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Instead of a Novel

Sophia Yablonska's Travelogues in the History of Modern Ukrainian Literature

Olena Haleta

Abstract

This article focuses on the life and literary strategies of Sophia Yablonska (1907–1971), a self-identified Ukrainian camerawoman, photographer, and writer. While working for a French documentary production company, traveling around the world, and living in Morocco and China, Yablonska published three books of travelogues supported by hundreds of photos (The Charm of Morocco, 1932; From the Country of Rice and Opium, 1936; and Distant Horizons, 1939) that combine autobiographical and anthropological approaches and transgress poetic and narrative conventions. In her travelogues, Yablonska examines the contradictions between traditional and modern culture and expresses them in verbal and visual forms. Abandoning the genre of the novel for that of the travelogue, Sophia Yablonska transgressed literary and life norms in terms of genre, gender, anthropology, autobiography, perception, media, culture, and discourse. Her writings not only reveal other countries, but also show the formation of a modern personality in the process of writing.

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Colette française (et fille de zouave)

Colette and the French Singularity

Kathleen Antonioli

writers. The basic argument here is that, in order to write in a specifically feminine style, women prose writers must “imitate” Colette. Any writer, present or past, who does not write like Colette is rejected as masculine. This rewrites the entire

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Valentina Mitkova

to unfold the innermost secret of her soul.” 18 Several attempts by Bulgarian women prose authors that were original but not confined to the prescriptions for female authorship were adequately presented by the prewar criticism in Bulgaria, but