How should one make theoretical sense of what has been called 'the miracle of Tahrir Square' – the fact that the Egyptian people successfully ousted a dictator in a peaceful manner, where militant groups had failed to do so by force? In this article it is argued that Deleuze/Guattari's notion of the subject in terms of desiring-machines, flows, schizophrenic production and the 'body-without-organs', enables one to theorise human subjectivity as being in process, and not 'self-identical', as mainstream thinking would have it. Deleuze's thought on societies of control further suggests the concept of rhizomatic lines of subversion of hegemonic networks from within the latter. Further, Alain Badiou's consonant conception of the subject – as one of multiple 'emplacements' – represents a spatial perspective on individual subjects which similarly eschews the pitfalls of an abstract notion of human subjectivity in favour of one that conceives of the subject as inescapably 'placed' in multiple spatial coordinates, as it were. In addition, Jacques Rancière's radicalisation of 'politics' in terms of 'equality' and 'dissensus' enables one to grasp the fleeting events of Tahrir Square as paradigmatic of 'true' democracy. In this way these theoretical positions provide a model that is commensurate with evidence that the 2011 Egyptian uprising avoided the trap of hierarchical thinking and practice, pursuing the goal of political liberation and (radical) democratisation along non-hierarchical, 'leaderless', complex, rhizomatic communicational networks instead. This avoided the paralysing tendency to think and behave on the basis of oppositionally conceived, mutually exclusive adversarial agencies – the 'us' and 'them' syndrome. The article explores the implications of this complex notion of subjectivity, on the one hand, in relation to the radical democratic practice displayed in Tahrir Square, on the other.
Deleuze, Badiou, Rancière and Tahrir Square, 2011
Thoughts from the Midan
On 25 January 2011, Egyptians took to the streets to protest against injustice and oppression. These public demonstrations lasted for three weeks, during which this peaceful tidal wave of people did not abate, culminating in the resignation of Egypt's president, Hosni Mubarak. These field notes, taken during two days of the protests, register the pendulum swings from hope to fear as recorded by one Egyptian anthropologist.
Egyptian Antiquities and Contested Histories in the Cairo Museum
During the Egyptian revolution in January 2011, the antiquities museum in Tahrir Square became the focus of press attention amid claims of looting and theft, leading Western organizations and media outlets to call for the protection of Egypt’s ‘global cultural heritage’. What passed without remark, however, was the colonial history of the Cairo museum and its collections, which has shaped their postcolonial trajectory. In the late nineteenth and early twentieth centuries, the Cairo museum was a pivotal site for demonstrating control of Egypt on the world stage through its antiquities. More than a century later, these colonial visions of ancient Egypt, and its place in museums, continue to exert their legacy, not only in the challenges faced by the Egyptian Antiquities Museum at a crucial stage of redevelopment, but also in terms of museological practice in the West.