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Giuseppe Gazzola and Karen J. Leader

Simone Castaldi, Drawn and Dangerous: Italian Comics of the 1970s and 1980s Giuseppe Gazzola

Joel E. Vessels, Drawing France: French Comics and the Republic Karen J. Leader

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“A Refugee Pastor in a Refugee Church”

Refugee-Refugee Hosting in a Faith-Based Context

Karen Lauterbach

.1080/01436597.2011.596747 Lauterbach , Karen . 2014a . “ Religion and Displacement in Africa: Compassion and Sacrifice in Congolese Churches in Kampala, Uganda .” Religion & Theology 21 : 289 – 307 . 10.1163/15743012-02103004 Lauterbach , Karen . 2014b . “ Spiritual Gifts

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Karen Pearlman

Guy Edits ,” 9 July . https://www.youtube.com/watch?v=Df64qNFavTo . Pearlman , Karen . 2009 . Cutting Rhythms: Shaping the Film Edit . New York : Focal Press . Pearlman , Karen . 2016 . Cutting Rhythms: Intuitive Film Editing . 2nd ed

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Karen M. Sykes and Felix Stein

more about the methods of Fischer’s positive anthropology that can elucidate such political ideologies, especially as the reader of this book is left with more questions than answers about other people’s quest for the good life. Karen M. Sykes

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Shaping Edits, Creating Fractals

A Cinematic Case Study

James E. Cutting and Karen Pearlman

The authors of this article came together to exploit a felicitous opportunity. Karen Pearlman is a filmmaker and, among many other things, has produced, directed, and edited a short historical drama, Woman with an Editing Bench (2016). Example

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Stiles X. Simmons and Karen M. Feathers

potential impact on discussions. Also, studies have found that differences of gender, status, and culture affect how students interact with their peers. Karen Evans (1996) , a researcher working with fifth-grade students, noted that the boys negatively

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Meghan Bellerose, Maryama Diaw, Jessie Pinchoff, Beth Kangwana, and Karen Austrian

Mbushi, and Daniel Mwanga of Population Council, Kenya, for supervision of data collection and quality assurance. Notes 1 Protocol 936 2 Protocol 803/2020 References Austrian , Karen , Eunice Muthengi , Joyce Mumah , Erica

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Mariske Westendorp, Bruno Reinhardt, Reinaldo L. Román, Jon Bialecki, Alexander Agadjanian, Karen Lauterbach, Juan Javier Rivera Andía, Kate Yanina DeConinck, Jack Hunter, Ioannis Kyriakakis, Magdalena Crăciun, Roger Canals, Cristina Rocha, Khyati Tripathi, Dafne Accoroni, and George Wu Bayuga

largest in Ghana—is both refreshing and important. Karen Lauterbach University of Copenhagen Reference Meyer , Birgit . 1998 . “ ‘Make a Complete Break with the Past’: Memory and Post-colonial Modernity in Ghanaian Pentecostalist Discourse

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The Gift of Shame

The Invention of Postcolonial Society

Karen Sykes

Twenty-five years ago, Roy Wagner in his book, The Invention of Culture asked his reader to comprehend the invention of society as an ongoing effort, especially an effort made by members aware of the changes that can be wrought by their actions. In doing so, he posed the problem of what kind of society people thought they were making, contrasting the social contract of the Euro-American political thought with the processual sociality imagined by Melanesians (1975, 1974). The theoretical insights of Wagner can be brought to bear on the period of independence in Papua New Guinea when Melanesians were making a new sociality. I will discuss the dialectics of Wagner’s approach, as they are played out at the time of the publication of his book; that is, in the early years of the creation of the new nation of Papua New Guinea.