Simone Castaldi, Drawn and Dangerous: Italian Comics of the 1970s and 1980s Giuseppe Gazzola
Joel E. Vessels, Drawing France: French Comics and the Republic Karen J. Leader
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“A Refugee Pastor in a Refugee Church”
Refugee-Refugee Hosting in a Faith-Based Context
Karen Lauterbach
.1080/01436597.2011.596747 Lauterbach , Karen . 2014a . “ Religion and Displacement in Africa: Compassion and Sacrifice in Congolese Churches in Kampala, Uganda .” Religion & Theology 21 : 289 – 307 . 10.1163/15743012-02103004 Lauterbach , Karen . 2014b . “ Spiritual Gifts
In Migration and Society
- Published (Print):
- 01 Jun 2021
- Article Type:
- Research Article
- Pages:
- 149–162 (14 total)
Karen Pearlman
Guy Edits ,” 9 July . https://www.youtube.com/watch?v=Df64qNFavTo . Pearlman , Karen . 2009 . Cutting Rhythms: Shaping the Film Edit . New York : Focal Press . Pearlman , Karen . 2016 . Cutting Rhythms: Intuitive Film Editing . 2nd ed
Karen M. Sykes and Felix Stein
more about the methods of Fischer’s positive anthropology that can elucidate such political ideologies, especially as the reader of this book is left with more questions than answers about other people’s quest for the good life. Karen M. Sykes
In The Cambridge Journal of Anthropology
- Published (Print):
- 01 Mar 2017
- Article Type:
- Book Review
- Pages:
- 146–148 (3 total)
Shaping Edits, Creating Fractals
A Cinematic Case Study
James E. Cutting and Karen Pearlman
The authors of this article came together to exploit a felicitous opportunity. Karen Pearlman is a filmmaker and, among many other things, has produced, directed, and edited a short historical drama, Woman with an Editing Bench (2016). Example
African American Boys’ Critical Literacy Development
The Impact of Two Strategies
Stiles X. Simmons and Karen M. Feathers
potential impact on discussions. Also, studies have found that differences of gender, status, and culture affect how students interact with their peers. Karen Evans (1996) , a researcher working with fifth-grade students, noted that the boys negatively
Meghan Bellerose, Maryama Diaw, Jessie Pinchoff, Beth Kangwana, and Karen Austrian
Mbushi, and Daniel Mwanga of Population Council, Kenya, for supervision of data collection and quality assurance. Notes 1 Protocol 936 2 Protocol 803/2020 References Austrian , Karen , Eunice Muthengi , Joyce Mumah , Erica
In Girlhood Studies
- Published (Print):
- 01 Dec 2020
- Article Type:
- Research Article
- Pages:
- 133–150 (18 total)
Mariske Westendorp, Bruno Reinhardt, Reinaldo L. Román, Jon Bialecki, Alexander Agadjanian, Karen Lauterbach, Juan Javier Rivera Andía, Kate Yanina DeConinck, Jack Hunter, Ioannis Kyriakakis, Magdalena Crăciun, Roger Canals, Cristina Rocha, Khyati Tripathi, Dafne Accoroni, and George Wu Bayuga
largest in Ghana—is both refreshing and important. Karen Lauterbach University of Copenhagen Reference Meyer , Birgit . 1998 . “ ‘Make a Complete Break with the Past’: Memory and Post-colonial Modernity in Ghanaian Pentecostalist Discourse
In Religion and Society
- Published (Print):
- 01 Sep 2019
- Article Type:
- Book Review
- Pages:
- 171–196 (26 total)
Karen Donfried
Wolf-Dieter Eberwein and Karl Kaiser, Germany’s New Foreign Policy: Decision-Making in an Independent World (Hampshire: Palgrave, 2001)
Adrian Hyde-Price, Germany & European Order: Enlarging NATO and the EU (Manchester: Manchester University Press, 2000)
Matthias Kaelberer, Money and Power in Europe: The Political Economy of European Monetary Cooperation (Albany: State University of New York Press, 2001)
In German Politics and Society
- Published (Print):
- 01 Dec 2002
- Article Type:
- Review Article
- Pages:
- 73–81 (8 total)
Bound By Sound
Music, Victorian Masculinity and Dante Gabriel Rossetti
Karen Yuen
The masculinity of the Victorian painter-poet Dante Gabriel Rossetti (1828-1882) has always been a subject of intense interest for scholars of nineteenth-century British literature and art history. The question ‘how manly was Rossetti?’ resurfaces every so often, and answers have always been varied. Jay D. Sloan’s ‘Attempting “Spheral Change”: D.G. Rossetti, Victorian Masculinity and the Failure of Passion’ (2004) positions Rossetti as a nonconformist, a man who rejected gender norms and sought to express his manhood through a rhetoric of passion. Sloan’s argument provides a neat contrast to one provided by Herbert Sussman in Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art (1995), in which Sussman argues that Rossetti crafted a ‘Bohemian’ model of manhood that, despite its veneer of otherness, allowed room for ‘masculine’ expressions of a normative nature.