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Nicolas Jabko’s Playing the Market

Martha Zuber, Frank Dobbin, Amy Verdun, Thomas Philippon, and Nicolas Jabko

Martha Zuber Introduction

Frank Dobbin Integrating Paradigms

Amy Verdun Strategy, Ideas, and Political Leadership

Thomas Philippon Economics and Playing the Market

Nicolas Jabko A Response to My Critics

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≪ Messager culturel ≫

Martha Zuber

Une histoire ? Un patrimoine ? Une institution ? France-Culture est tout cela. Petite chaîne prestigieuse, sans publicité, avec 80 millions de francs de budget annuel inchangé. C’est l’exception culturelle de la radio française. La chaîne rassemble une centaine de producteurs permanents (les réalisateurs des programmes), 450 000 auditeurs ou moins d’un pour cent de l’audience radiophonique en France. Certains de ses auditeurs se sont regroupés en une association présidée par un haut fonctionnaire au Ministère de l’emploi. Un personnel fortement attaché à l’identité de France-Culture, 116 avenue du Président Kennedy où sont installés studios et bureaux.

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The Silence of the Page

Une trop bruyante solitude – The Graphic Novel Adaptation of Too Loud a Solitude by Bohumil Hrabal

Martha Kuhlman

This article discusses the issues faced by two French artists who have produced a bande dessinée adaptation of a novel, říliš hlučná samota ['Too Loud a Solitude'], by the Czech writer Bohumil Hrabal, and the reception of their work in the Czech comics community. In adapting the novel to another medium, the artists have not merely illustrated the original, but have used a variety of techniques intended to convey its emotional coloration and its self-referentiality. Furthermore, they have changed its context from Prague during the Communist era to twenty-first-century Lyon at a time when the jobs of print workers are threatened by out-sourcing. The article argues that the adaptation thereby enhances the contemporary resonance of the original.

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Malawian Teachers' Perceptions of Gender and Achievement in the Context of Girls' Underachievement

Martha Kamwendo

This article examines a group of Malawian teachers' views of the relationship between gender and achievement in order to highlight their participation in students' constructions of gendered identities, which in turn have an impact on achievement. Based on a survey with 35 teachers and interviews with 20 of them, the study on which this article is based shows how teachers position boys as high achievers and girls as low achievers. The teachers drew on a number of identity-related concepts that included sexuality, notions of femininity, differential gender socialization in the home, and self image to explain girls' underachievement. I discuss the implications of the findings and suggest how teachers can be encouraged to have a more positive attitude towards girls and their achievement.

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Haunting the Borderlands

Graphic Novel Representations of the German Expulsion

Martha Kuhlman

As part of the Potsdam Agreement following World War II, 2.8 million Germans were expelled from Czechoslovakia. Disturbing details of mass executions and forced marches of Germans have become the topic of public debate in the Czech Republic. In recent years, representations of this traumatic episode in Czech history have filtered into popular culture as well. This article considers how the graphic novels Alois Nebel and Bomber, whose authors were inspired by Art Spiegelman's Maus, address the controversial issue of the German expulsion.

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Book Reviews

Leyla Neyzi, Nida Alahmad, Nina Gren, Martha Lagace, Chelsey Ancliffe, and Susanne Bregnbæk

said, this is richly detailed and an often-startling ethnography with sharp insights and resonance for learning about post-conflict moments and the potential future for settings within, and far beyond, modern Rwanda. Martha Lagace Boston University

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Book Reviews

Abhishek Choudhary, Rhys Machold, Ricardo Cardoso, Andreas Hackl, Martha Lagace, and Carly Machado

the many configurations of what cannot be fully confronted, nor escaped. Martha Lagace Boston University References Bakhtin , Mikhail M . 1981 . “ Forms of Time and of the Chronotope in the Novel: Notes toward a Historical Poetics .” The

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Exploring Continuities and Reconciling Ruptures

Nationalism, Feminism, and the Ukrainian Women's Movement

Martha Kichorowska Kebalo

Aspects of the women's movement evolving in post-Soviet Ukraine may be viewed as an extension of a transnational Ukrainian women's movement that had its origins in the nineteenth-century Russian and Austro-Hungarian empires. This essay traces the continuities of personnel and mission that serve to link disparate historical phases of such a movement over temporal and geographic discontinuities, even over homeland and diaspora communities. A central question is how the political history of Ukraine, and in particular, its lack of a unified state for most of the twentieth century, has affected the history of the country's women's movement. Historically, the feminism of Ukrainian women, often clearly evident in their pronouncements and strategies, has been obscured by the political context of their movement, which has encouraged its framing as nationalist, even by the women themselves. It is suggested that a growing body of historical scholarship is promoting a broader understanding of Ukrainian women's activism. Such projects can serve to bridge ruptures in the 'national ethos' that stem from Ukraine's complex history, reclaim the feminism of the movement, and focus the range of women's activism in Ukraine on a consensual, specifically women's, agenda.

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Angels & Tomboys

Girlhood in 19th-Century American Art

Martha K. Hoffman

Angels & Tomboys: Girlhood in 19th-Century American Art

Newark Museum, 12 September 2012–6 January 2013 Memphis Brooks Museum of Art, 16 February 2013–12 May 2013 Crystal Bridges Museum of American Art, 28 June 2013–30 September 2013

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“And When I Become a Man”

Translocal Coping with Precariousness and Uncertainty among Returnee Men in South Sudan

Katarzyna Grabska and Martha Fanjoy

In this article, we argue that return in the aftermath of conflict-induced displacement is often undertaken in contexts of uncertainty. After years spent in war and displacement, people return to an unknown and uncertain present and future, shaped by ideal images of home and brutal memories of conflict. Based on ethnographic fieldwork among South Sudanese refugees in Kenya and Canada and returnees in South Sudan, we analyze the 'return home' strategies, motivations, and experiences of returnee men. We suggest that uncertainty often transforms the present and the future of returning populations and the societies to which they return. Our research shows that in their attempts to minimize their wartime and displacement uncertainties, returnee men transform, negotiate, and reconstruct national, ethnic, and gender identities in a variety of ways, depending on their age and experiences in exile.