In this article I consider the characterization of Celia, the protagonist in Elena Fortún’s “Celia and Her World” series (1929–1952), and the role of Fortún as a forerunner of women writers in the 1950s. I explore the ways in which Fortún presented herself as a female author offering alternative models of femininity to her readers through the character Celia and the social context of the series. In addition, I examine Fortún’s shifting representation of Celia as a subversive character, and Fortún’s ideological influence on female writers who used similar literary strategies. Using the point of view of the girl in her texts as an insurgent protagonist to reflect different sociohistorical moments in Spain suggests a continuity in Spanish narrative instead of an abrupt change after the Civil War.
Rethinking the Influence of Elena Fortún's Celia
Ana Puchau de Lecea
Trans Sailors and Cultures of Resistance
Looking to queer and trans cultural texts from DIY zines to classic queer literature to contemporary experimental cinema, this article considers how sailors represent boyhood as a trangressive embodiment that reworks masculinities and processes of representation. By locating the youthful transmasculine body as a representational norm, queer/trans films like Maggots and Men (2009) create spaces through which sailors reshape meanings assigned to maleness, boys, and men. A linked analysis of Micah Bazant’s self-published Timtum (1999) and James Baldwin’s Giovanni’s Room (1956) raises further questions about the signs and codes of sailors and postadolescent boyhood in opening up new embodiments for gender non-conforming adults. Investigating how trans sailors become icons of youthful nostalgia and queer masculinities, this paper also questions correlations between sailors and Whiteness, boyhood, colonialism, migration and race.