The dialectic of life and death is a persistent theme in Tony Harrison’s poetry. Some of his greatest poems are dominated by this subject: ‘A Kumquat for John Keats’, ‘Cyprus and Cedar’, ‘The Lords of Life’, to name just a few. Critics have repeatedly highlighted this feature: Sandy Byrne’s pioneering book states that ‘most reviews of Harrison’s work begin by saying that it is concerned with division, or that it is dialectical’; she then goes on to state that ‘[m]any of the poems’ protagonists abound in ambiguities, inconsistencies and paradoxes’. In a much quoted interview with John Haffenden, Harrison sketches out that fundamental paradoxical division of his personality
The Dialectic of Life and Death in Tony Harrison's Laureate's Block
Ephraim Yuchtman-Yaar, Yasmin Alkalay, and Tom Aival
(religious identity and ethnicity) are nominal, we opted for an interactive model that, unlike an additive model, enables comparing the coefficients of each of the pairings of religious identity and ethnicity to a common baseline. The pairing selected for
On the Motif of the Cube-panel in Inside Mœbius
echoed by another internal–external pair present throughout the six volumes of Inside Mœbius : the bunker and the desert. Even so, there is not an exact correspondence between these two pairs of terms. The Desert The desert, whose precise name is
Public security and the military in Brazil
Michel Foucault (2000) have long sought to account for the continuum of state power from armed force to social contract and caregiving. Though most analyses of policing justifiably focus on force and violence, I suggest that probing the pairing of force
Contemporary Walking Collaborations in Landscape, Art and Poetry
Harriet Tarlo and Judith Tucker
aspects and viewpoints, is at the heart of these micro/macro shifts and, as we shall see, also works its way into exhibition and book design. This is multiplied further by there being four eyes not two, each pair with their accustomed way of looking
A Land of Carnivals, Cocktails and Coups: Henri Bergson's Theory of Laughter and the Problems of Travel Guide Humour
Although fictional places have certainly been the hallmark of great literature (William Faulkner, Gabriel García Márquez, Juan Benet), a recent travel guide to the fictional land of 'San Sombrèro' shows that their manifestation in popular culture can be questionable. A Bergsonian reading (Laughter, 1900) of the guide's attempt to pair humour with contrived exoticism yields more discomfort than laughs.
Race and the Neo-liberal State
Since the 1990s, many countries have jettisoned a focus on economic development in favor of promoting markets and market efficiency. Much has been written on the influence of these neo-liberal economic policies and the linked idea of globalization. Less noticed is that this shift from a developmentalist ideology to neo-liberal reform has often been paired with an ideology that casts the state as neutral with respect to race, ethnicity, and even nationality. Indeed, while the heyday of wholesale adoption of neo-liberal economic policies may be receding, the neo-liberal state appears to be a more enduring feature. There is a need to examine more closely the neo-liberal ideology that pairs economic reforms with a neutral state, and a need to understand how this ideology is involved in the creation of racialized identities and racist practices.
Judith G. Coffin
This essay considers the near simultaneity of The Second Sex and Alfred C. Kinsey's reports on sexual behavior. It shows how reviewers in both France and the United States paired the studies; it asks how that pairing shaped the reception of The Second Sex; and it situates the studies in their larger historical context—a moment in which sexuality commanded new and much broader attention. An ever-widening number of disciplines, institutions, sectors of mass culture, and representatives of an expanding consumer economy (from studies of the authoritarian personality or juvenile delinquency to advertising) insisted that sexuality was key to their concerns and enterprises. The ways in which sexuality might be understood multiplied—to the point where an allencompassing notion of “sex” collapsed, giving way, eventually, to a plurality of terms: sexuality, sex roles, and gender.
Functions and Technical Objects
Mauro Carbone, Graziano Lingua, and Sarah De Sanctis
The present relations between screens and the human body invoke a genealogy that should help us to understand their status. However, we suggest that this historical-genealogical work shall be matched with a more comprehensive anthropology of screen experiences. By mobilizing the notion of “arche-screen,” we identify the transhistorical principle underlying such experiences with the showing/concealing and the exposing/protecting function pairs—the latter exceeding the visual dimension and involving our bodily relations with the environment. These function pairs, which are rooted in our body and make it into our proto-screen, can be enhanced via their externalization as appropriate technical objects. By highlighting the prostheticization of skin in some prehistoric artistic techniques and the role of the veil from the Old Testament to Leon Battista Alberti’s treatise On Painting, we stress that the interweaving of the above-mentioned screen functions is a constant feature of human experiences and that its thematic variations are traceable in more recent screen forms.
Mackenzie Belt and Adam Drazin
Au Pair. Zuzana Búriková and Daniel Miller, Cambridge: Polity Press, 2010, ISBN: 0-7456-5011-1. 240pp. Hb: £50, Pb: £15.99.
Domestic Goddesses: Maternity, Globalization and Middle-class Identity in Contemporary India. Henrike Donner, London: Ashgate, 2008, ISBN: 978-0-7546-4942-7. 230pp. Hb £55.
The Force of Domesticity: Filipina Migrants and Globalization. Rhacel Salazar Parreñas, New York: New York University Press, 2008, ISBN: 0-8147-6734-6. 224pp. Pb $22.