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Margarete Vöhringer

The article analyzes Sergej Chakhotin’s transfer of the concept of reflex from Russian physiology to German propaganda. Chakhotin had been working at Ivan Pavlov’s laboratory in St. Petersburg in the 1910s. The experiences he had there with reflex conditioning, the boom of psychotechnics, and the application of psychological practices for aesthetic purposes were his basis for the invention of a socialist propaganda program against the Nazi regime. It is shown how the concept of reflex changed as it meandered through different disciplines.

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Benoît Glaude

The forms taken up by French comics in the Offenstadt brothers' wartime weeklies echo other representations of the Great War produced behind the front lines, including the music hall, popular imagery and illustrated newspapers. The Offenstadt brothers' picture stories, which staged comic operas starring soldiers and conformed to French propaganda instructions, were a hit with soldiers and civilians (including children), aside from some offended Catholic critics. This essay contextualises their success, focusing on the reception of the comics, particularly those by Louis Forton.

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Susan Corbesero

During the Second World War, legions of Soviet women behind the lines participated in war-time production in both industry and agriculture. Soviet propaganda, despite the overwhelming numbers, contributions and sacrifices of women, graphically portrayed them in ways that both re-established the pre-war patriarchal gender relations of the Stalinist era and circumscribed women’s wartime experiences. This article examines how, during the initial and la er years of the conflict, and in the important and under- studied source of Soviet poster propaganda, the symbolic configuration and recon- figuration of femininity and the female image was transmitted through shifting official policies and attitudes on the role of women. While early posters portrayed women’s wartime participation as atypical, temporary and unwomanly, propaganda by the end of the war featured hyper-feminised representations of women while the Soviet state moved to reassert political controls and institutionalise conservative gender policies to serve the needs of war and reconstruction.

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Tracey Hill

In the early 1580s religious propaganda was used extensively and

ferociously to inform (or misinform) that sector of the English public

that had access to such works about events involving a number of

Catholic priests and sympathisers and their opponents. This period

saw a major episode of crisis over counter-Reformation Catholicism,

exemplified by the mission to England headed by Edmund Campion,

and the consequent arrest, torture, trial and execution of Campion

and his associates. Numerous texts were produced from a variety of

perspectives to intervene in the representation of these men, their

motives, the treatment they received, and the danger they may or may

not have posed to Protestant England. The propagandist texts with

which I am concerned range across the various possible positions on

these and other Catholic priests.