Today's girls have become spectacles of modern progress and the representation of social desires for success. What has been remarkably unclear in this imagination, visualization, representation, and investment of modern girlhood is what knowledge and what attachments mobilize girls towards their desires for success. In this article I will examine school knowledge and the seduction of rationality and certainty about female futures. I trace some of the effects and affects of curricular knowledge. I examine how girls move ambivalently towards objects of desire, like prestigious colleges, through their desire for recognition, difference, and being exceptional. Using qualitative data collected in a private all-girls school, in this article I bring together feminist poststructuralist theory, curriculum theory, and girlhood studies to attend to affective intensities of spiciness, happiness, and shame and analyze how these disrupt the visualizations of the girls' seemingly unambiguous notions of female success.
Mapping the Promises and Seductions of Successful Female Futures
Stephanie D. McCall
Disrupting Nabokov’s "Aesthetic Bliss"
Since Vladimir Nabokov’s 1955 publication of Lolita, numerous feminist scholars have argued for rereading the novel from the girl’s point of view to understand Lolita not as a sexual agent, but as an incest victim. In this article, I examine how revisionary texts like Roger Fishbite (1999), Lo’s Diary (1999), and Poems for Men Who Dream of Lolita (1992) give voice to the girl in the text, disrupting Nabokov’s “aesthetic bliss” and emphasizing aspects of Lolita’s victimization. Ultimately, I discuss how a contemporary analytical shift from valuing the aesthetics to a consideration of the ethics of the novel has led to restricted critical readings of the narrative, which, nevertheless, remain open through the acknowledgement of the girl’s sexual desire and agency within these female authors’ revisionary texts.
The Seduction of the Text in Muriel Spark's Work
This excerpt from Mary Shelley’s introduction to Frankenstein, I believe, puts into a context the idea of the author’s relation to his/her text, working on two levels at the same time. It is at this point that the ‘author’s’ chase by his creature begins, and it is at this moment that Shelley’s pursuit by her text is phrased. Frankenstein’s ‘text’, a mixture of pieces from dead bodies, is brought to life and begins its wandering and the chase of its ‘author’, at times reading its own body, at other times demanding a change in the author’s narrative, a participation in the ‘writing’ of his destiny.
Children’s Literature in Communist Romania
This article provides insight into the practically uncharted territory of children’s literature published during the Communist regime in Romania, with a special emphasis on boys’ roles and masculinity in the context of major themes and obsessions. Its purpose is to reveal both the nonideological side of this literature and the extent to which it might have exerted a decisive influence on education. The conclusion is that the power of nonideological seduction was greater than that of indoctrination.
Hysteria, Masculinity, and Marriage in Florence Marryat's Nelly Brooke
In 1868 Florence Marryat published Nelly Brooke: A Homely Tale, ostensibly a novel full of classic sensation themes: illegitimacy, love, seduction, addiction, and a murder of sorts. More interestingly, however, the novel also plays with nineteenth-century gender expectations and ideas current in medical and scientific discourse. This essay explores the representations of male hysteria and the demonised man of science which this novel depicts. These themes, contained within a hugely satisfying sensation plot, are also offset against the plight of the fortuneless woman in the nineteenth-century marriage market.
Roger Ascham has been credited with rehabilitating Elizabeth Tudor's image after a near-disastrous seduction at the hands of her stepmother's husband Thomas Seymour. But in many ways Ascham's tutelage merely continues a process the Lord Admiral had already begun, educating a young girl about what to wear, how to comport herself, and how to regard her male teacher, all necessary steps in the programme Vives details as removing 'the residue of her infancy'. This essay examines Ascham's seductions and Seymour's pedagogy with the larger aim of exploring the Tudor classroom, at once an official site of humanist learning and kind of rival space where women were taught to read and to write and to counteract the designs of male teachers. If images of Lucretia and Griselda resurface in accounts of Elizabeth's prodigious learning, there were other female figures - like Katherine Parr and Anne Boleyn, Elizabeth's governess Kat Ashley and the Duchess of Suffolk - who shaped a humanism of the household just as crucial as the humanism of the university.
Images of Male Political Leaders in France and Norway
Anne Krogstad and Aagoth Storvik
Researchers have often pointed to the masculine norms that are integrated into politics. This article explores these norms by studying male images of politics and power in France and Norway from 1945 to 2009. Both dress codes and more general leadership styles are discussed. The article shows changes in political aesthetics in both countries since the Second World War. The most radical break is seen in the way Norwegian male politicians present themselves. The traditional Norwegian leadership ethos of piety, moderation, and inward orientation is still important, but it is not as self-effacing and inelegant as it used to be. However, compared to the leaders in French politics, who still live up to a heroic leadership ideal marked by effortless superiority and seduction, the Norwegian leaders look modest. To explain the differences in political self-presentation and evaluation we argue that cultural repertoires are not only national constructions but also gendered constructions.
In Much Ado About Nothing, characters repeatedly stage moments designed to confuse other figures, a good example being the machinations aimed at Beatrice and Benedick. However, the play contains many more instances in which misrepresentation plays with truth. The supposed offstage seduction of Hero signals the audience that what this unseen (to them) event means will be crucial, making them focus upon the meanings given to the event by the characters. Critics have often noted that the young noblemen get it wrong, and that the play then ironically counterpoints this by making the useless constabulary get it right by apprehending the culprit; they also usually marginalise the older characters, especially the Friar, who is relegated to a plot-function. However, given the play's insistence on perception and misunderstanding, this article revisits their importance in performance as a group that avoids the mistakes made by the younger generation.
Leora Auslander Marianne in the Market: Envisioning Consumer Society in Fin-de-Siècle France by Lisa Tiersten
Rebecca Rogers Disruptive Acts: The New Woman in Fin-de-Siècle France by Mary Louise Roberts
Jeffrey H. Jackson Django: The Life and Music of a Gypsy Legend by Michael Dregni
Jean-Philippe Mathy Camus & Sartre: The Story of a Friendship and the Quarrel That Ended It by Ronald Aronson
Joel Revill The Seduction of Unreason: The Intellectual Romance with Fascism from Nietzsche to Postmodernism by Richard Wolin
Scott Gunther Liberté, égalité, sexualités: Actualité politique des questions sexuelles by Clarisse Fabre and Eric Fassin
Alec G. Hargreaves Muslims and the State in Britain, France and Germany by Joel S. Fetzer and J. Christopher Soper
William Nessly, Noel B. Salazar, Kemal Kantarci, Evan Koike, Christian Kahl and Cyril Isnart
Mary Chapman, ed., Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton (Montreal: McGill-Queen’s University Press, 2016), lxxvi + 274 pp., ISBN-13: 978-0-7735-4722-3, $34.95 (paperback).
Michelle MacCarthy, Making the Modern Primitive: Cultural Tourism in the Trobriand Islands (Honolulu: University of Hawai‘i Press, 2016), xiii + 276 pp., ISBN: 978-0824855604, $65 (hardcover).
David H. Mould, Postcards from Stanland: Journeys in Central Asia (Ath- ens: Ohio University Press, 2016), xiv+301 pp, ISBN: 9780821421772, $25 (paperback).
Shiho Satsuka, Nature in Translation (Durham: Duke University Press, 2015), xii + 263 pp., ISBN-13: 978-0-8223-5880-0, $25.95 (paperback).
Inves M. Keighen, Charles W. J. Withers, and Bill Bell, Travels into Print: Exploration, Writing, and Publishing with John Murray, 1773–1859 (Chicago: University of Chicago Press, 2015), xiii +392 pp, ISBN-13: 978- 0226429533, $45 (hardcover).
Michael A. Di Giovine and David Picard, eds., The Seductions of Pilgrim- age: Sacred Journeys Afar and Astray in the Western Religious Tradition ￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼￼(Surrey: Ashgate, 2015), xxi + 266 pp., ISBN 978-1472440075, $70 (hard- cover).