contemporary films that have narrative treatments of trans themes and lives, it becomes apparent that due to the hetero-normativity of the film classifications (ratings) processes, the hegemonic positioning of Hollywood in relation to general audiences, and the
Black Trans and Queer Women’s Digital Media Production
In an online video chat with other trans women who had read her memoir, writer and trans advocate Janet Mock discussed her decision to call her book Redefining Realness: My Journey to Womanhood . She says, “I felt like I needed an action, so
Reflections on an Ethnographic Study of Chinese Infrastructural Projects in Mozambique and Mongolia
Morten Axel Pedersen and Morten Nielsen
Based on two case studies of Chinese infrastructural interventions in Mozambique and in Mongolia, this article introduces the notion of 'trans-temporal hinge' as a heuristic methodological concept that brings together phenomena and events otherwise distributed across time. The authors explore envelopes used when paying Mozambican workers at a construction site in Maputo and roads dividing Chinese oil workers and local nomads in southern and eastern Mongolia as concrete manifestations of trans-temporal hinges. In exploring the temporal properties of these phenomena, we define the trans-temporal hinge as a gathering point in which different temporalities are momentarily assembled. As an analytical scale derived from a specific ethnographic context, we argue that the trans-temporal hinge provides a novel and, quite literally, timely conceptual invention compared with other recent methods of anthropological knowledge production, such as multi-sited fieldwork.
and trans subjects becoming images and to consider the ways in which we might care for these images in the archives of history. 2 From Saidiya Hartman (1997 , 2019 ) to José Esteban Muñoz (2009) , Carolyn Dinshaw (1999) , and many others
In the debates surrounding the construction of the Trans-Siberian Railway, the transcontinental Canadian Pacific Railway was used as a model. This article traces how eyewitness accounts of Canadian settlement patterns were used by Russian entrepreneurs to argue the case for the financing and organisation of the Trans-Siberian Railway. Given the tense international political climate at the end of the 19th century, the Trans-Siberian also became a focus for imperial rivalry. This article gives a good overview of comparative colonial enterprise in two great continental colonies.
This article examines how transgender themes are conveyed in two Swedish graphic narratives. Olivia Skoglund’s debut graphic memoir, Nästan i mål! En komisk transition [Almost there: A comical transition] (2020) follows Olivia who navigates as a trans woman through a clueless cis society, while Elias Ericson’s graphic novel Diana & Charlie (2021) depicts the relationship between two transgender friends and their struggle to find emotional stability in a heteronormative society. Drawing on Elisabeth El Rafaie’s visual metaphor theory of pictorial, spatial and stylistic metaphors, it is argued that both Skoglund and Ericson place bodily experience, appearance, and perception at the centre of their concerns of being transgender, conveying the struggle for gender recognition as well as showing the misgendering of trans people by society.
Patrick Stewart, Britishness and the Promotion of X-Men
The terrain and identity of the blockbuster, particularly the subset represented by X-Men, are among the least mapped and consequently misunderstood of Hollywood phenomena. Though the entertainment media deploy the term blockbuster without difficulty across almost every genre of film, academically the term has been more elusive. Previous to Julian Stringer's edited collection Movie Blockbusters, the blockbuster had usually been conceived as an unproblematically American phenomenon. Stringer's attempt to map the blockbuster's terrain usefully brings in the notion of nationality, which will form the focus of this analysis. However, it also begs an explanation of the blockbuster as it will be understood here. This discussion will use John Tomlinson's formulation of globalisation as complex connectivity as the basis for a more flexible framework within which to view the blockbuster film. Thus this article will seek to make sense of the flows of culture represented in X-Men, not as emanating from a central 'American' locus, but rather as shifting around what David Morley and Kevin Robins would term a global-local nexus. In this way the transnational and the national will both be shown to play a role in dispersing elements of films (and indeed this might be extended to other 'global' products) to the maximum number of potential audiences worldwide.
Lieke Hettinga and Terrance Wooten
Eliza Steinbock, Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change (Durham, NC: Duke University Press, 2019), 248 pp., ISBN: 9781478003885 (paperback, $24.95) Reviewed by Lieke Hettinga In Shimmering Images
Five or ten years from now, the performance of the allegedly leftist regimes in Latin America (particularly those of Venezuela, Ecuador, and Bolivia and, to varying degrees, those of Argentina, Paraguay, Nicaragua, Chile, Uruguay, and Brazil) will be assessed in terms of the extent to which they were able to bring about a reduction of poverty, sustained rates of growth, and a measure of democratization in their countries, including less inequality and more inclusive policies, particularly toward ethnic minorities.
Cosmopolitan Learning through Hospitality in Siberia
This article focuses on the process of cosmopolitan learning among hosts in a hospitality couchsurfing network in Siberia. The data making up the empirical basis for the study were collected during fieldwork in Siberia: between 2007 and 2011 in Krasnoiarsk and Novosibirsk and from 2010 to 2012 in Irkutsk and Vladivostok. The article argues that the interactional dynamics between hosts and guests in cosmopolitan learning are determined by the combination of emotive and cognitive rewards. The primary emotional charge occurs as a result of the first interaction with the visitor, while a cognitive “bonus“ is represented by the opportunity to practice a foreign language in the home environment. In addition, hosts reflect on such aspects as the exchange of lifestyle ideas, the exposure to everyday habitual practices, and the realization of commonality and difference. These reflections leading to self-discovery in the comfort of one's own home constitute an important element in the process of cosmopolitan learning.