In this article I consider the characterization of Celia, the protagonist in Elena Fortún’s “Celia and Her World” series (1929–1952), and the role of Fortún as a forerunner of women writers in the 1950s. I explore the ways in which Fortún presented herself as a female author offering alternative models of femininity to her readers through the character Celia and the social context of the series. In addition, I examine Fortún’s shifting representation of Celia as a subversive character, and Fortún’s ideological influence on female writers who used similar literary strategies. Using the point of view of the girl in her texts as an insurgent protagonist to reflect different sociohistorical moments in Spain suggests a continuity in Spanish narrative instead of an abrupt change after the Civil War.
Rethinking the Influence of Elena Fortún's Celia
Ana Puchau de Lecea
Jovan Dučić's Cities and Chimaeras and the West
The travel texts of Jovan Dučić (1872-1943) merit analysis not only because he is generally regarded as a significant and influential modernist writer (his lyrics, refined in phrasing and form, show the influence of the Parnassians and the Symbolists), but also because he is a prominent figure in the modernization of Serbian culture. As early as 1936, Dučić's contemporary Nikola Mirković stressed the importance of the poet's role in the process of 'the modernization of Serbian literature and culture' (Mirković 1936: 335). By the same token, he is widely considered by both literary scholars and the public to have been obsessed with 'the great and wise West' (Deretić 1987: 205) - a writer who brought about a great synthesis of Serbian and Western literature, especially in his poetry from the first decades of the twentieth century. His letters from Switzerland, France, Greece, Italy, Spain, Palestine and Egypt appeared first in literary magazines and/or in the influential Belgrade newspaper Politika. The separate parts of his travelogue were then collected under the title of Gradovi i himere [Cities and Chimaeras], and were published twice during the author's life, in 1930 and 1940. The book is both a text about culture (or cultures), as well as an indispensable text within Serbian national culture.
Jack Hunter, Annelin Eriksen, Jon Mitchell, Mattijs van de Port, Magnus Course, Nicolás Panotto, Ruth Barcan, David M. R. Orr, Girish Daswani, Piergiorgio Di Giminiani, Pirjo Kristiina Virtanen, Sofía Ugarte, Ryan J. Cook, Bettina E. Schmidt and Mylene Mizrahi
. 1988 . “ On Ethnographic Authority .” In The Predicament of Culture: Twentieth Century Ethnography, Literature, and Art , 21 – 54 . Cambridge, MA : Harvard University Press . Forty , Adrian , and Susanne Küchler , eds. 1999 . The Art of