This article examines the concept of 'band development' taking place within the parading band culture in contemporary Northern Irish society. The parading tradition in Northern Ireland today is associated with two main characteristics; first, the public image of contemporary parading traditions is mainly negative due to its association with parading disputes that particularly developed in the 1990s. Second, that aggressively Protestant Blood and Thunder flute bands have become a dominant feature of these public performances. It is these ensembles that are defining people's notions of what parading bands represent. This article will discuss how ethnographic research with these bands allowed engagement on a policy level to take place, leading to 'band development'.
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