The Caucasus was a zone of encounters for centuries, generating images of regional cosmopolitanism in the past. This vision creates expectations for the present, when it is included in the wider discussion about the meanings of cosmopolitanism today, its relation to modern geopolitics, and issues of social and political co-existence and recognition. This essay focuses on two different photographs that belong to different Greek families in Georgia. These photographs represent two different historical experiences of migration and pinpoint different understandings of cosmopolitanism. However, they both seem to stem from specific discourses about diasporas and their cosmopolitan character. The role of language in the construction of these discourses is fundamental. The essay compares photographic representations of the 'Greek Diaspora' in order to trace the perceptions of cosmopolitanism they generate, the cultural capital they carry, and its outcome in relation to Greek diaspora politics.
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