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COVID-19 About Subject Collections Advances in Research Anthropology Cultural Studies Education Europe History Politics

For Librarians For Authors Submissions Open Access Rights & Permissions Frequently Asked Questions COVID-19 Update

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Volume 31 (2019): Issue 1-2 (Jul 2019): Canonizing Q1 Hamlet

in Critical Survey

Introduction
- Introduction
  
  Why Q1 Hamlet Matters
Performances and Texts
- Shakespeare’s Early Gothic Hamlet
- The Hybrid Hamlet
  
  Player Tested, Shakespeare Approved
- Ofelia’s Interruption of Ophelia in Hamlet
The Jacobean Book Trade
- Beautified Q1 Hamlet
- The Good Enough Quarto
  
  Hamlet as a Material Object
Readings, Reactions, Relationships
- Harvey’s 1593 ‘To Be and Not To Be’
  
  The Authorship and Date of the First Quarto of Hamlet
- ‘To Be, or Not To Be’
  
  Hamlet Q1, Q2 and Montaigne
- Shakespeare, Virgil and the First Hamlet
Textual Stability and Variation
- Unique Lines and the Ambient Heart of Q1 Hamlet
- ‘Brief Let Me Be’
  
  Telescoped Action and Characters in Q1 and Q2 Hamlet
- Q1 Hamlet
  
  The Sequence of Creation and Implications for the 'Allowed Booke’
- What Doesn’t Happen in Hamlet
Editorial Afterword
- Q1 Hamlet
Poetry
- Poetry

Table of Contents