This edition of European Comic Art (ECA) is devoted to comics adaptations of literary works. It thereby makes a contribution to adaptation studies, a field that has rapidly expanded in tune with the postmodern awareness that we can no longer securely assign texts to individual authors as genesis and sole creative origin, even if the phenomenon of adaptation itself is not new. Gérard Genette points out that ‘l’humanité, qui découvre sans cesse du sens, ne peut toujours inventer de nouvelles formes’ [humanity, which keeps discovering new meanings, cannot always invent new forms].