Editorial: A Historical Focus on Comics
Bande dessinée and the Penal Imaginary: Graphic Constructions of the Carceral Archipelago
Edward Lear: A Life in Pictures
Fresh off the Boat and off to the Presses: The Origins of Argentine Comics between the United States and Europe (1907–1945)
Amadeo Gandolfo and Pablo Turnes
Women’s Liberation: Swedish Feminist Comics from the 1970s and 1980s
Anna Nordenstam and Margareta Wallin Wictorin
Simon Grennan, Roger Sabin and Julian Waite, Marie Duval (Oxford: Myriad Editions, 2018)
David Kunzle,Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862
Tatiana Prorokova and Nimrod Tal, eds,Cultures of War in Graphic Novels: Violence, Trauma, and Memory
Stephen E. Tabachnick, ed.,The Cambridge Companion to The Graphic Novel Ross
Louie Dean Valencia-García,Antiauthoritarian Youth Culture in Francoist Spain: Clashing with Fascism
David Miranda Barreiro
Volume 12 / 2019, 2 issues per volume (spring, autumn)
Aims & Scope
European Comic Art is the first English-language scholarly publication devoted to the study of European-language graphic novels, comic strips, comic books and caricature. Published in association with the American Bande Dessinée Society and the International Bande Dessinée Society, European Comic Art builds on existing scholarship in French-language comic art and is able to draw on the scholarly activities undertaken by both organisations. However, our editorial board and consultative committee bring expertise on a wider European area of comic art production and the journal will emphasise coverage of work from across Europe, including Eastern Europe.
European Comic Art aims to address a broad range of topics in the field of comic art, including but by no means limited to:
The current "manga-isation" of the European comics scene by Asian comics
Mutual influences of European and American comics
Feminist comic art and women cartoonists
Comics without words
Hergé and the clear-line school of cartooning
Cartoonist collectives and independent publishers since 1990
Genre and the industry
Comics and digital media
The cartoonist as reporter
Comics in their historical context
Comics as medium for autobiography and autofiction
Comics and national/transnational identity
Time and space in comics
Comics and architecture
Comics and the avant-garde
Advances and debates in comics theory
European Comic Art is indexed/abstracted in:
ARTbibliographies Modern (ProQuest)
Art & Architecture Complete (Ebsco)
Art Abstracts (Ebsco)
Bibliometric Research Indicator List (BFI)
MLA International Bibliography
Norwegian Register for Scientific Journals, Series and Publishers
Emerging Sciences Citation Index (Web of Science)
European Reference Index for the Humanities and the Social Sciences (ERIH PLUS)
Laurence Grove, University of Glasgow
Anne Magnussen, University of Southern Denmark Ann Miller, University of Leicester
Book Review Editors
Armelle Blin-Rolland, Bangor University
Catriona MacLeod, University of London Institute in Paris
Bart Beaty, University of Calgary
Hugo Frey, University of Chichester
Catherine Labio, University of Colorado
Mark McKinney, Miami University, OH
Wendy Michallat, University of Sheffield
Kees Ribbens, NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam
Roger Sabin, University of the Arts, London
Matthew Screech, Manchester Metropolitan University
Clare Tufts, Duke University
Jan Baetens, Katholieke Universiteit, Leuven
Teresa Bridgeman, University of Bristol
Cécile Danehy, Wheaton College, Norton, MA
Vittorio Frigerio, Dalhousie University, Halifax, NS
Fabio Gadducci, University of Pisa
Paul Gravett, author and critic
Thierry Groensteen, Editions de l'An 2, Angoulême
Michael Kelly, University of Southampton
David Kunzle, UCLA
Pascal Lefèvre, Katholieke Universiteit, Leuven
John Lent, Temple University, Philadelphia
Fabrice Leroy, University of Louisiana at Lafayette
Jean-Christophe Menu, Author and Publisher, Founder of L'Association
Kai Mikkonen, University of Helsinki
Stephan Packard, Universität zu Köln
Rikke Platz Cortsen, University of Texas at Austin
Murray Pratt, Nottingham Trent University
Thierry Smolderen, l'EESATI (Ecole Supérieure de l'Image), Angoulême
Joost Swarte, Artist and Graphic Designer
Submissions of articles and review articles, as well as other editorial communications, can be directed to Dr Laurence Grove at email@example.com.
The journal accepts original research articles, book reviews and review articles.
Original research articles should present new knowledge and findings in the field, and should be around 8,000 words (including notes and references), although longer and shorter articles may be considered. Review articles should review a minimum of three titles and be 2,000 to 4,000.
Have other questions? Please refer to the various Berghahn Info for Authors pages for general information and guidelines including topics such as article usage and permissions for Berghahn journal article authors.
Process for Refereeing and Accepting Articles
European Comic Art is a refereed journal. Articles are sent to at least two scholars with relevant experience and expertise. Referees are asked to advise the editors whether the article should be published and if so, with what recommended changes. The editors respond to the author with their decision and a list of any changes needed for the article to be accepted for publication. They also send the anonymous referees' comments to the author.
Authors published in European Comic Art (ECA) certify that their works are original and their own. The editors certify that all materials, with the possible exception of editorial introductions, book reviews and some types of commentary, have been subjected to double-blind peer review by qualified scholars in the field. While the publishers and the editorial board make every effort to see that no inaccurate or misleading data, opinions, or statements appear in this journal, they wish to make it clear that the data and opinions appearing in the articles herein are the sole responsibility of the contributor concerned. For a more detailed explanation concerning these qualifications and responsibilities, please see the complete ECA ethics statement.
The IBDS (International Bande Dessinée Society) and the ABDS (American Bande Dessinée Society) are forums for scholarly exchange on all aspects of the bande dessinée, or French-language comic strip. We welcome all critical approaches, be they historical, sociological, political, literary, linguistic or other.
Individual IBDS or ABDS membership rate: $66/£42/€46
Student IBDS or ABDS membership rate (Online Only): $20/£12/€16
Membership benefits of the IBDS or ABDS:
Individual members receive a print and online subscription to the IBDS/ABDS flagship journal European Comic Art.
IBDS is an international association in which people from many countries and regions will participate through conferences and research presentations. By participating in the IBDS, members can build an excellent network of personal contacts.
Members will receive a 25% discount on all Berghahn Books publications.
IBDS and ABDS members can access the journal online here.