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Volume 35 (2017): Issue 2 (Jun 2017): Sounds German? Popular Music in Postwar Germany at the Crossroads of the National and Transnational. Guest Editor: Kirkland A. Fulk

in German Politics and Society

Table of Contents

Introduction
- Sounds German?
  
  Popular Music in Postwar Germany at the Crossroads of the National and Transnational
  
  By: Kirkland A. Fulk
  
  Pages: 1–6
Articles
- The Birth of Autotune and the Loop of (West) German Identity
  
  By: Cyrus Shahan
  
  Pages: 7–25
- DIY, im Eigenverlag
  
  East German Tamizdat LPs
  
  By: Seth Howes
  
  Pages: 26–47
- Licht aus–Spot an
  
  How Schlager (ZDF 1969–1984) Beat Disco (ZDF 1971–1982)
  
  By: Sunka Simon
  
  Pages: 48–59
- Death in June and the Apoliteic Specter of Neofolk in Germany
  
  By: Mirko M. Hall
  
  Pages: 60–79
- Wenn eine Band lange Zeit lebt
  
  Puhdys, Politics, and Popularity
  
  By: John Littlejohn
  
  Pages: 80–98
- Knitted Naked Suits and Shedding Skins
  
  The Body Politics of Popfeminist Musical Performances in the Twenty-first Century
  
  By: Maria Stehle
  
  Pages: 99–116
- Searching for the Young Soul Rebels
  
  On Writing, New Wave, and the Ends of Cultural Studies
  
  By: Richard Langston
  
  Pages: 117–137

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