This special issue of Journeys brings together writers whose origins and research expeditions lie in different parts of the world (United Kingdom, Germany, India, Africa, Japan and the Caribbean) to explore the relationship between different kinds of movement (walking, voyaging, bus-tours, animal-tracking) and the accompanying transformations in body and perception that emerge when journeying near and far from home. Journeys are indelibly associated with movement through lands and across seas, but like songs and stories, they also are works of composition, sometimes carefully crafted, other times improvised, often unique, and frequently unfinished. Although a journey, like any other work of composition, unfolds over time and can be thought to have a narrative structure of beginning, middle, and end, it is likely to contain many unstructured moments: unexpected detours, various contingencies and chance encounters, moments of social and cultural disorientation, and unresolved questions that are neither planned nor initiated by the author. Journeys, therefore, can often take us into strange “inner” places. Perhaps then we might say that journeys involve a process of discomposition, an unravelling and disordering of habitual thoughts, perceptions, feelings, and normative presuppositions, which are made explicit in the face of new lands and may become temporarily reconstituted amid the diversity of people one encounters there.
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