Book Reviews

in Projections
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  • 1 Macquarie University
  • | 2 University of Queensland
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Contributor Notes

Robert Sinnerbrink is Australian Research Council Future Fellow and Senior Lecturer in Philosophy at Macquarie University. He is the author of Cinematic Ethics: Exploring Ethical Experience through Film (Routledge, 2016), New Philosophies of Film: Thinking Images (Continuum, 2011), Understanding Hegelianism (Acumen, 2007), and is a member of the editorial board of the journal Film-Philosophy.

Matthew Cipa is a film and media studies PhD candidate in the School of Communication and Arts at The University of Queensland, Australia. His thesis, which is located at the intersection of screen theory and philosophy, examines how abstract and metaphysical concepts are rendered stylistically and narratively in film and television, and made sensible to and experienced by spectators.


The Journal for Movies and Mind

  • Tan, Ed. S. 1996. Emotion and the Structure of Narrative Film: Film as an Emotion Machine. Mahwah, NJ: Lawrence Erlbaum, 1996.

  • Tan, Ed. S. 2000. “Emotion, Art, and the Humanities.” Pp. 116134 in Handbook of Emotions, ed. Michael Lewis and Jeannette M. Haviland-Jones. New York: Guilford Press.

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  • Yacavone, Daniel. 2008. “Towards a Theory of Film Worlds.” Film-Philosophy 12(2). (accessed 11 August 2016).

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  • Buckland, Warren. 2000. The Cognitive Semiotics of Film. Cambridge: Cambridge University Press.

  • D’Aloia, Adriano, and Ruggero Eugeni, eds. 2014. Neurofilmology: Audiovisual Studies and the Challenge of Neuroscience. Cinéma&Cie 14 (22/23).

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  • Hasson, Uri, Ohad Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, and David J. Heeger. 2008. “Neurocinematics: The Neuroscience of Film.Projections: The Journal of Movie and Mind 2(1): 126.

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  • Shimamura, Arthur P, ed. 2013. Psychocinematics: Exploring Cognition at the Movies. New York: Oxford University Press.

  • Sobchack, Vivian. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press.


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