Neuroimaging research suggests that watching a movie synchronizes brain activity between observers. This is surprising in light of anecdotal reports that viewers construct their experience radically differently, consistent with contemporary cognitive media theory. This article empirically tests the degree of agreement in the appraisal of commercially produced major motion pictures. Ratings for more than two hundred carefully selected movies were solicited from a diverse pool of more than three thousand study participants. Doing so shows that intersubjective movie appraisal is strikingly low but significantly different from zero. The article also shows that these ratings correlate only weakly with the judgment of professional movie critics. Taken together, this study supports the notion that movies are an extremely rich, highly dimensional narrative stimulus with many degrees of freedom for viewers to construct their subjective experience in a highly idiosyncratic fashion.