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Cinema, Philosophy, Bergman: On Film as Philosophy
in
Projections
Author:
Roy M. Anker
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DOI:
https://doi.org/10.3167/proj.2011.050110
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Abstract/Excerpt
Book Review of Paisley Livingston, Cinema, Philosophy, Bergman: On Film as Philosophy
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Projections
The Journal for Movies and Mind
Article Information
Article Category:
Book Review
Page Count:
115–121
Print Publication Date:
01 Jun 2011
Online Publication Date:
01 Jun 2011
Copyright:
© Berghahn Books 2011
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Issue Table of Contents
From the Editors
Quantity and Quality
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
Articles
Cameras, Mirrors, and the Bridge Space: A Winnicottian Lens on Cinema
The Extent of Mental Completion of Films
Causal Understanding and Narration
Resisting the Psycho-Logic of Intensified Continuity
Review Essay
Phenomenology Goes to the Movies
Book Reviews
The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts
Doubting Vision: Film and the Revelationist Tradition
Cinema, Philosophy, Bergman: On Film as Philosophy
A Philosophy of Cinematic Art
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[35.171.183.163]
35.171.183.163
