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Volume 5 (2011): Issue 1 (Jun 2011)

in Projections

Table of Contents

From the Editors
- Quantity and Quality
  
  By: Ira Konigsberg
  
  Pages: v–vii
- How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
  
  By: James E. Cutting, Kaitlin L. Brunick and Jordan E. Delong
  
  Pages: 1–16
Articles
- Cameras, Mirrors, and the Bridge Space: A Winnicottian Lens on Cinema
  
  By: Andrea Sabbadini
  
  Pages: 17–30
- The Extent of Mental Completion of Films
  
  By: Henry Bacon
  
  Pages: 31–50
- Causal Understanding and Narration
  
  By: András Bálint Kovács
  
  Pages: 51–68
- Resisting the Psycho-Logic of Intensified Continuity
  
  By: William Brown
  
  Pages: 69–86
Review Essay
- Phenomenology Goes to the Movies
  
  By: Jane Stadler
  
  Pages: 87–101
Book Reviews
- The Neural Imagination: Aesthetic and Neuroscientific Approaches to the Arts
  
  By: Mark Rollins
  
  Pages: 102–108
- Doubting Vision: Film and the Revelationist Tradition
  
  By: Kevin W. Sweeney
  
  Pages: 109–115
- Cinema, Philosophy, Bergman: On Film as Philosophy
  
  By: Roy M. Anker
  
  Pages: 115–121
- A Philosophy of Cinematic Art
  
  By: Angela Curran
  
  Pages: 121–127

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